Life is only limited by our prejudices. Destroy them, and you cease to be at the mercy of yourself.
Real things in the darkness seem no realer than dreams.
No one can be as calculatedly rude as the British, which amazes Americans, who do not understand studied insult and can only offer abuse as a substitute.
There are times when the mind is dealt such a blow it hides itself in insanity. While this may not seem beneficial, it is. There are times when reality is nothing but pain, and to escape that pain the mind must leave reality behind.
Never underestimate the Pricey.
The past exists only in our memories, the future only in our plans. The present is our only reality.
Writing is a miracle. You can travel anywhere in the world, to any time and any place — and still be home in time to have dinner.
History repeats itself.
Logic, like whiskey, loses its beneficial effect when taken in too large quantities.
Ask yourself why totalitarian dictatorships find it necessary to pour money and effort into propaganda for their own helpless, chained, gagged slaves, who have no means of protest or defense. The answer is that even the humblest peasant or the lowest savage would rise in blind rebellion, were he to realize that he is being immolated, not to some incomprehensible noble purpose, but to plain, naked human evil.
Truth is the recognition of reality; reason, man's only means of knowledge, is his only standard of truth.
To fear to face an issue is to believe that the worst is true.
All life is a purposeful struggle, and your only choice is the choice of a goal.
When you force a man to act against his own choice and judgment, it's his thinking that you want him to suspend.
The charming aspect of Christmas is the fact that it expresses good will in a cheerful, happy, benevolent, non-sacrificial way. One says: “Merry Christmas”-not “Weep and Repent.” And the good will is expressed in a material, earthly form-by giving presents to one's friends, or by sending them cards in token of remembrance . . . .
The syndicates take the strip and sell it to newspapers and split the income with the cartoonists. Syndicates are essentially agents. Now, can you imagine a novelist giving his literary agent the ownership of his characters and all reprint, television, and movie rights before the agent takes the manuscript to a publisher? Obviously, an author would have to be a raving lunatic to agree to such a deal, but virtually every cartoonist does exactly that when a syndicate demands ownership before agreeing to sell the strip to newspapers.
An important factor to note is that it's rare for anyone to sell a first novel written before they turned 30-35; long-format fiction tends to require a bunch of experience of human life that takes time to acquire. So your average mid-career novelist is in their forties to fifties!
Most established novelists are writing books informed by experiences gained in their youth. Middle age is not the best time to be changing smartphones every six months or adopting new technology platforms - because we tend to get slower and less accommodating to change as we age.
We're currently living with a generation of established novelists who are embarrassingly out of date with respect to social networking, internet skills, and so on.
I'm not imprisoned in any one medium. In films I use techniques that are not necessarily what other directors attempt. When I write novels I also use techniques which can run counter to those that a novelist would use.
I'm probably the only novelist who has ever written about political fugitives who actually knew a lot about them, had contact with them, and had a realistic notion of how they survived.
Naturally a direct comparison of terrorist and novelist is complete nonsense. But there was once a time when the novelist also had some influence on how his contemporaries thought, the way they saw the world, the way they lived.
If any art form can accommodate contemporary culture, it's the novel. It's so malleable - it can incorporate essays, poetry, film. Maybe the challenge for the novelist is to stretch his art and his language, to the point where it can finally describe what's happening around him.
Not long ago, a novelist could believe he could have an effect on our consciousness of terror. Today, the men who shape and inflence human consciousness are the terrorists.
I think it's especially important for an editor to say what he's enjoying. For a novelist to be told, midstream, what he's doing right can actually influence the unwritten parts of a novel in a positive way - praise helps a writer know what's good about what he's written, what's interesting and exciting, and what to work for in writing the conclusion.
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