I had no idea how much the stuff I was doing was affecting people outside Oakland. At the time, also, hip hop wasn't able to tour because all these clubs that let hip hop come in now, they would never have let hip hop come in.
My original idea- and I still want to do it -for Pinko Records, would be to create a platform for other artists to do the same thing I did. They could create their own levels of donation and final goal. I have no idea how I would make any money on that -but I don't think like that.
I had no idea the amount of people who even knew who I was. Suddenly, they were coming up and saying, "You're my favorite artist." Very surreal. After years of trying to get work, and then coming here and being able to meet some of the fans of Array.
I wanted to become an actor. I went to Guildhall School of Music and Drama, which is one of the main drama schools in London where you go when you are older. But I was doing the junior one when I was a kid. And some friends there had agents. I was fourteen and I was like, "I want an agent! It sounds awesome!" I had no idea what that was. I thought those guys looked like men in black. They were hanging around in suits all the time. So I luckily got a very good agent in London and started auditioning. And then when I was 16, I got my first film and I've been working ever since.
I had no idea what I was signing up for. I auditioned for some random character. I knew the sides were fake, but what they were trying to capture was an emotional toughness and a woundedness. I knew I liked the character. I didn't know who the character was, but I liked the spirit of the character.
You can meet lots of actors who are in their own world and do their own thing, and they have no idea what's going on and they don't know anyone's name around them.
I have no idea why she quieted down on the subject. Maybe she was told to. I can imagine that it wasn't a very popular position in the Administration, with her own husband having ordered by executive order the internment. Maybe she was just told: "Look, we're in a war now. Turn off your social conscience."
Cameras have really made people question the police. People, especially white people, are saying, 'Oh my God, we had no idea.'
Sometimes, you have no idea why something works and other times, you put so much work and effort into something and it just falls flat.
I'm not going to look back. 'Don't look back, something might be gaining on you.' I don't have anything specific in mind. I want to do what comes my way. No plans, no idea, I believe in things happening organically. Right now the plan is to wrap things up - we've got one more Abbie Hoffman Fest to put together - whatever happens after that is unknown. I'm not going to push anything beyond passive behavior.
I have no idea. I get involved because I think there's value in the project and because I love the character that is presented to me. I love the opportunity to examine a character, and to have him examine me, live inside me and move my hands. I love that. It's irresistible. It's a drug.
It's a whole nother aspect of this life that most people have no idea about. There's the loved ones, the wives, the girlfriends, the children. Some of the people out here are fathers and mothers. Whether you mean to or not, you end up neglecting your family in a lot of ways. Even if you do your best to keep in touch, the fact of the matter is that you're physically absent.
I could be dead or something even more tragic could have happened, but by God's grace I am still alive. I was hooked on Crystal Meth for eight years and did it every single day, all day long. I honestly have no idea how my heart survived or how I didn't suffer multiple overdoses, I don't get it.
My agent came to me with a deal from another publisher and I signed a deal and got the advance with no idea of what I was going to do. I probably procrastinated for almost a year, but we had meetings and I was basically going to spoof "Take Ivy," but then it kind of turned into something else. I wanted it to be a book of all the things that made me who I am, like Brooks Brothers, Hot Wheels, "The Andy Griffith Show" and G.I. Joes. I couldn't sit still and do it, so my agent had to come to my house and force me to do it.
I had no idea what philosophy was until I went to college at UBC. I first read Hume and Plato, so naturally I was under the misapprehension that philosophers are trying to figure out what is true, and that contemporary philosophers are mainly trying to figure out what is true about the mind. Of course Hume and Plato were trying to do that, hence my misapprehension.
The best directors I've worked with, they all have the same thing in common. They're the first to say, 'I don't know.' If you ask them, 'How are we actually pulling off this movie?', they'll just shrug and go, 'I have absolutely no idea.'
I had no idea that that was around in the family anywhere. Maybe it never was. But - so they broke the way for me, if you know what I mean. I have no idea where I got the idea from to do what I do. But I think they - Ian and Alistair, my brothers kind of opened a lot of doors for me onto the world - you know, made it seem to be a very, very interesting place.
When I first starting making beats, I didn't know samples were being used in any beats. I had no idea where producers were getting the real string sounds or the voices on their tracks. I knew nothing about loops or sampling off of records. So, by me knowing nothing about this it made me concentrate on my chords on the keyboard.
Most people have no idea what Cabo Verde is or even where it is to mention, so I definitely want to make people aware of this beautiful culture.
I have no idea how it got so big. I was just trying to find something to do while I was living in Boulder, Colorado, which isn't really a funny town. There are a lot of smart people there, but comedy isn't at the forefront of their minds.
If you decide to go on a Buddhist path, you have to be careful if you start mixing a lot of different traditions you are not totally familiar with - mixing this kind of meditation with that kind of practice or this kind of visualization with that kind of mantra. Then you really are concocting your own thing, and you have no idea what is going to happen.
I remember someone saying to my mom that it must be so glamorous to have a child acting in movies. They had no idea how hard it was for her.
When I go in to the recording studio, I already know almost exactly what I am going to do, but when I go to set, it is really a wildcard. I have no idea what is going to happen.
I was born an ugly duckling due to my mother's ill health. She wasn't supposed to be pregnant, there were all kinds of complications, she couldn't survive a cesarean section etc. She said, "They didn't hand me a child, they handed me a purple melon." I heard that when I had grown up and had no idea of the whole story because the family album had pictures of a covered carriage and my mother smiling so I assumed I was asleep.
I had no idea Savage Season was the beginning of a series. I wrote the second one about three years later. The character of Hap wouldn't stop talking to me, and then there was a third, and over the years nine novels and a collection of stories and some uncollected stories.
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