There is no night life in Spain. They stay up late but they get up late. That is not night life. That is delaying the day.
We always play clubs. It's not something that I feel above. Those are my favorite shows because they're intimate, they're tight, their sweaty, they're hot. You're close to the people. Those are my favorites.
There was no way I could write a paper knowing that Andy Warhol and Boy George were partying at Danceteria.
L.A., its nice, but I think of sunshine and people on rollerblades eating sushi. New York, I think of nighttime, I think of Times Square and Broadway and nightlife and the city that never sleeps.
The idea behind it did come out of my love for travel shows. I loved them as a little kid and I loved Anthony Bourdain, but I really did want to see one about LGBTQ communities and culture and the specific country that we visit. Of course it is about the joys and the triumphs and the nightlife, but sadly, unfortunately, it's also about the discrimination that people face, because that's the reality.
'Get a Job' is about all the rich kids we knew when we were younger, kids who never had jobs but always had money for partying or getting their hair done.
When I said there was only one Judy Dench, I was, of course, referring to myself.
I really like the idea of restaurant life, especially in New York where everyone has small apartments - that restaurant culture where you sit at a table for a long time and the afternoon goes by and you're kind of living there. I like that more than nightlife.
My girlfriend Siri is a food blogger, and we both love to entertain and eat. This is what happens when you're in your thirties: what was once a passion and real appetite for nightlife in New York City manifests itself into other things, like entertaining at home.
After Andy Warhol died, it left a dark cloud over N.Y.C. nightlife.
It is captivating, isn't it? England has such a great scene of electronic music, and I think that was very prominent in Pusher, and the nightlife was the beat of the film. I feel what is really great about Pusher is that it wasn't about drugs and guns and strippers. That was just all circumstantial. I felt like it was really about people and how decisions and circumstances can change relationships. Something just happens. Everything changes for a reason.
I develop my work in a time that, from my point of view, is much more # romantic than the present day
Last Friday night; Yeah we danced on tabletops. And we took too many shots. Think we kissed, but I forgot?
My favourite city for nightlife is Toronto, as it has such a multicultural feel, with so many different restaurants and theatres.
I don't have a nightlife. People say, "You need these cocktail dresses for all the receptions" - except I don't go, because we have no idea if we are going to be in session. But my husband has encouraged me to, shall we say, keep up with fashion.
We were shooting this movie called "Hardball," with Keanu Reeves. We shot in the city, and I just remember I couldn't really do too much. At 13 or 14, you couldn't go out to any nightlife.
Things are very different now because a lot of those little clubs don't exist. In Soho for instance, where nearly half my nightlife photographs were taken, it's rapidly changing. There isn't the same after dark frisson of excitement about the place any more.
I feel like fashion was much more exclusive. There weren't as many parties. There weren't as many social gatherings. It wasn't required that designers have events to lure customers or editors or any of that - it was about a show. If there was a dinner or a party, people would go out after. New York nightlife was about late nights and dancing.
Living New York, everyone has a million hustles, so I was doing party promoting, working the doors at parties, doing that whole nightlife thing.
The scene at a certain time was definitely boys; those huge warehouses were kind of violent parties, even. I think people in your immediate community made a nightlife scene that actually did break down gender roles and were along different lines of identity that had to do with race and experience in the '90s, rather than gender.
I paint inspired by my father, a well known character of the nightlife; a clandestine gambling capitalist and owner of three brothels in Argentina. I develop my work in a time that, from my point of view, is much more romantic than the present day.
In L.A., everyone is in their car all the time, so you're used to not interacting with people for the majority of the day, and it kind of trickles into nightlife and all that. People stay within their circles and there's no real mingling to be had.
Nightclub City tells the behind-the-scenes story of Manhattan's glamorous nightlife at its peak. Packed with colorful characters, terrific original research, and an unusually accessible writing style, Nightclub City is a gritty social history of America's most glitzy fantasies.
I miss New York terribly. There is no place like the city. I miss people-watching. I miss the nightlife. I miss the food. There are so many options in New York City.
That's why this generation is the least racist generation ever. You see it all the time. Go to any club. People are intermingling, hanging out, having fun, enjoying the same music. Hip-hop is not just in the Bronx anymore. It's worldwide. Everywhere you go, people are listening to hip-hop and partying together. Hip-hop has done that.
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