I've just been writing a column about the way in which Fallujah and New Orleans are looking to be twin towns in effect. They're both been worked over by the Bush Administration.
I was fortunate that when I was first starting out in New Orleans, I had a remarkable high-school teacher. And she was a great, great influence in my life, and I think she gave me the courage and the confidence to go forward into the real world. She instilled in me that my dreams were important and that what I was passionate about was most important.
The rest of America, with some small exceptions, has been bulldozed and rebuilt and then bulldozed and rebuilt again. Our places have become interchangeable. Here in New Orleans, everything from the architecture to the way in which people eat, the way in which they talk, the way in which they do business, the way in which they dance, the manner in which everything is set to a parade beat, they're all from here. There's no place like it.
It is safe to say that almost every person living in New Orleans at the moment Hurricane Katrina struck shared your belief in an omnipotent, omniscient, and compassionate God. But what was God doing while Katrina laid waste to their city? Surely He heard the prayers of those elderly men and women who fled the rising waters for the safety of their attics, only to be slowly drowned there.
It's time for us to come together. It's time for us to rebuild New Orleans - the one that should be a chocolate New Orleans. This city will be a majority African American city. It's the way God wants it to be. You can't have New Orleans no other way. It wouldn't be New Orleans.
I've been in some beautiful places, but the prettiest sight is flying back to New Orleans. Being able to look down and say, 'I know where I am now.'
It's amazing being a member of perhaps the last analog generation - being born in the late '40s, growing up in the '50s and '60s, when it was still a very analog world. And in New Orleans those days, the country was just next door, as it were. You didn't have to travel miles and miles to get out in the woods. There's tons of fishing, obviously, in New Orleans, and tons of hunting. That was part of the cycle of life, to get fresh meat from the butcher or go duck hunting and get it yourself. It wasn't malicious or insensitive. It was just there, and you used it.
Advance warning of Katrina's path was wrested from mute Nature by meteorological calculations and satellite imagery. God told no one of His plans. Had the residents of New Orleans been content to rely on the beneficence of God, they wouldn't have known that a killer hurricane was bearing down upon them until they felt the first gusts of wind on their faces. And yet, as will come as no surprise to you, a poll conducted by The Washington Post found that 80 percent of Katrina's survivors claim that the event only strengthened their faith in God.
When I was a teenager, I worked in New Orleans for a chef named Paul Prudhomme. That was a very important time in my life as a chef. I developed my palate and learned a lot. And here I am now. I specialize in modern Mexican and contemporary Latin cuisines.
Many of the cemeteries are beautiful, and are kept in perfect order. When one goes from the levee or the business streets [of New Orleans] to it, to a cemetery, he observes to himself that if those people down there would live as neatly while they are alive as they do after they are dead, they would find many advantages in it; and besides, their quarter would be the wonder and admiration of the business world.
'Leonie' did get made and it was an extremely wonderful experience. I got to travel the world. I filmed for 6 months - 3 months in New Orleans and 3 months in Japan.
I like New Orleans music, I like Memphis music and I like the way that the sound like those places. I like how there are stars and there are people in those cities that are revered in the community.
It's impossible to predict which paintings will last and which won't. In New Orleans I painted on a dilapidated shop in a street littered with abandoned cars and rotting mattresses, then two hours later the piece was gone. It turned out I'd picked the side of a crack house and the proprietor didn't like the attention.
I went to New Orleans for the first time for Wild at Heart, and I kept going back to make more movies there. I've become very close to the city and part of me does feel like a New Orleanian.
I have a love-hate relationship with New Orleans, which is the strongest sort of relationship. I've had some extraordinary, beautiful, poetic experiences in this city and I've had some terrible experiences in this city. I'm drawn to New Orleans, in many ways feel I grew up in New Orleans, even though I'm from the West.
You saw on your TV what happened in New Orleans after Hurricane Katrina. The Reserves or National Guard are usually the people we use for those national emergencies. They weren't here, they were over in Iraq, and so we were less protected.
When I was younger, I ate nothing but fried food. Everything was fried, from oysters to chicken to potatoes to vegetables. When you die in New Orleans, they deep fry you before they put you in the coffin. When we baptize children in New Orleans, we baptize them with a bordelaise sauce; we don't use water.
New Orleans is one of the most exciting, incredible communities in the world. There's such a rich culture and history, and there are innumerable things to do.
When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me.
New Orleans is 5 feet below sea level, which means that holes dug in the ground immediately fill with water. Coffins were punctured and sunk with weights, which didn't stop them from floating up out of the cemeteries and down the streets of the French Quarter on stormy nights. The solution was to bury people above ground, in what are called vaults.
Growing up in New Orleans, my mom and dad were churchgoers. I would go to church with them. Also, I was going to a Catholic school so I had a fascination with the Catholic Church mainly because, in my mind, (their services) didn't take as long. I was bouncing in between my mom's Baptist church, which was called Second Zion Baptist, and going to a Catholic Church.
I don't have a chance [on being elected Mayor of New Orleans]. I'm running on the gay marriage, no religion, legalization and taxation of marijuana platform.
There are things that make me excited about what I'm doing: Trouble the Water [the 2008 documentary Glover executive produced] on New Orleans, or something like Soundtrack for a Revolution, about the power of the music of the civil rights movement [which he executive produced in 2009]. Or Bamako, about the African debt crisis, a platform to discuss the experience of people who actually live it. All of these are important ways we can use film as a forum inviting people into a dialogue.
I believe that New Orleans had a level of sin that was offensive to God, that there was to be a homosexual parade on the Monday that the Katrina came, and the promise of that parade was that it was going to reach a level of sexuality never demonstrated before in any of the other Gay Pride parades. So I believe that the judgment of God is a very real thing, and I believe that the Hurricane Katrina was, in fact, the judgment of God against the city of New Orleans.
New Orleans was a thrilling place of all kinds of races, it was a dangerous place. It was really and truly the only international city on the continent of North America. There were all different races and everything was celebrated, and it was a place of difference, and everybody was different and it was so odd, the minute that America took over, the minute that the Louisiana territory became part of the United States of America, instantly you were either black or white. There was no nuance. and so a free man of color who could own property was suddenly not allowed to.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: