I think Hannah gets nervous just like any other person would. She's like a dork, personally. She's just really, really fun.
I get more anxious than nervous before a concert.
The first time I played the Masters, I was so nervous I drank a bottle of rum before I teed off. I shot the happiest 83 of my life.
Kids who go to normal school are so teenagery, so angsty.
We arrogantly assume that the nervous system doesn't really need to be coaxed into romance. That romance comes from some other place.
You can be afraid in a press conference, nervous, sweaty, but you can't be afraid when you do your work because it doesn't work that way.
I get nervous the more time I have to think about something so I deliberately don't give myself too much time between jobs. I take a big break and then I start working again usually.
The more nervous you get, the more worried you get about something... Maybe you just need to take a nap.
The English are such a frightened, nervous, insecure group of people - they no longer rule the world!
You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
Children are very overprotected now, in lots of ways. We're very nervous about them. You know, people go, "Don't go outside! Or inside! Get into the cupboard with some spinach!" When I was a child they'd kick you out and you weren't expected to come back until there were bats!
I'm not a racist. It's really case by case; it's not ethnicity specific. It's just the way I react to things that are different. I think that's normal. Everyone's nervous when they're confronted with things that they don't understand or are different. That's a normal human reaction. It doesn't become racist 'til you say things like, 'Oh, there's a lot of them.'
You can also hurt a dog if it's insecure, if a dog is nervous and then you try to pet him, you can make him more nervous. It's not just the aggressive dogs that you can get hurt. It's also the dogs that you can actually hurt. It works both ways.
The very dull truth is that writing love scenes is the same as writing other scenes - your job is to be fully engaged in the character's experience. What does this mean to them? How are they changed by it, or not? I remember being a little nervous, as I am when writing any high-stakes, intense scene (death, sex, grief, joy).
I was a nervous child, I was a bedwetter. I used to sleep with an electric blanket and I was constantly electrocuting myself.
Of course you cannot free yourself from the laws of nature; but the laws of nervous systems are not the same as the physical laws.
I am definitely a little more nervous for my colleagues when I'm working at mission control than I am myself, on the shuttle.
I loved the city, so the feeling in 2001 [election] first was shock, then (I was) nervous, then scared but then it's - I really wasn't happy and ecstatic like I thought I (would be). I was immediately hit with the enormity of the responsibility and the fact that most people in that town - particularly those that voted for me were placing their hopes and dreams in me. That is a big, big stressful place to be.
For the piano and me it is always a blind date! I meet different pianos every single day. I can't take my piano with me like a bassist can take his instrument. So whenever I arrive I am a bit nervous to see what kind of piano is waiting for me.
I would be very nervous to rap I think if it ever comes to that! I'm going to try to steer clear as long as possible.
You always get nervous on stage because when you get up there, you want to do great. The crowd has you pumped up so there are always a little bit of butterflies. That's all part of it. But as far as getting stage fright, clamming up there, not generally, I just enjoy it on stage and have a great time.
We no longer see the evolution of the nervous system, but that of a certain individual. The role of the memory is very important but... not as important as we believe. Most of the important things that we do don't depend on memory. To hear, to see, to touch, to feel happiness and pain; these are functions which are independent of memory; it is an a priori thing. Thus, for me, what memory does is to modify that a priori thing, and this it does in a very profound way.
Whether the guys are nervous or just had mental breakdowns, it happens. The game is a game of mistakes. And how you deal with them and correct them and all the things like that is what makes this game great and makes hockey the sport it is.
I try to relax and enjoy it. I don't really get nervous, I get excited! I love training, but my main excitement comes from when I'm racing and the better the standard of people I'm racing, the more excited I get and the more 'up for it' I get.
If you've done your preparation and you know the team of people that you're working with, then it makes life an awful lot easier. I still get nervous all the time. I think the best thing to do is to take a deep breath, make it simple, know what you're talking about, don't try and be fancy, don't try and be clever and just enjoy the experience.
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