A national culture, if it is to flourish, should be a constellation of cultures, the constitutes of which, benefiting each other, benefit the whole.
If most American cities are about the consumption of culture, Los Angeles and New York are about the production of culture - not only national culture but global culture.
Anyway, culture and nation are partners, inextricable from each other. National culture and nation, they are reciprocities.
The role of globalization is to homogenize all cultures, and to turn them into commodified markets, and therefore, to make them easier for global corporations to control. Global corporations are even now trying to commodify all remaining aspects of national cultures, not to mention indigenous cultures.
We should see to it that our people are steeped in a real knowledge and understanding of our national culture.
While [European] national cultures were concocted to distinguish one economic unit of capital from another, civilizational thinking was invented to unify these cultures against their colonial consequences. Islamic, Indian, or African civilizations were invented contrapuntally by Orientalism... in order to match, balance and thus authenticate 'Western Civilization'.
I am very grateful that the Russian budget has a yearly budget for film. And usually this budget goes to "auteur" cinema, which actually needs this support and which indeed contributes to creating "national culture".
Poetry is often very critical of the culture from which it emerges. Quite often literary critics of a nationalist bent talk up the national culture, in a way that the literary texts don't. Poetry can bring out areas of denial and repression.
We make our own criminals, and their crimes are congruent with the national culture we all share. It has been said that a people get the kind of political leadership they deserve. I think they also get the kinds of crime and criminals they themselves bring into being.
The decline of true taste for food is the beginning of a decline in a national culture as a whole. When people have lost their authentic personal taste, they lose their personality and become the instruments of other people's wills.
The intensity of a national culture should be represented by... the general education level and... the exceptional merit of a small elite of pioneers.
If all our political and intellectual elite offers by way of a national culture is "pop music, gambling, fashionable clothes or television," then we can neither mount a convincing intellectual defense against our enemies, nor hope to integrate intelligent, inquiring, and unfulfilled Muslim youths young men principally, of course to our way of life.
Civil religion gives American culture its direction and defines its fundamental values, but it does not determine the diversified contents of American national culture.
Not all intelligence can be artificial now, so if we make a mistake, the consequences are no longer simply located within an institution or a national culture.
From blood banking to the modern subway, from jazz to social justice, the contributions of African Americans have shaped and molded and influenced our national culture and our national character.
We know that art is connected with the land, with its salt, with its smell, that outside of national culture there is no art. Cosmopolitanism - a world in which things lose their color and form, and words lose their significance. We love in our past all that we consider native, wonderful and fair.
To the chefs who pioneered the nouvelle cuisine in France, the ancienne cuisine they were rebelling against looked timeless, primordial, old as the hills. But the cookbook record proves that the haute cuisine codified early in this century by Escoffier barely goes back to Napoleon's time. Before that, French food is not recognizable as French to modern eyes. Europe's menu before 1700 was completely different from its menu after 1800, when national cuisines arose along with modern nations and national cultures.
America is the sum of all our journeys as we search for our national community and our national culture.
With calm, knowledgeable precision, Daniel Ziblatt wades into the adjacent swamps of federalism and nineteenth-century European history, emerging with hands full of gems. Beneath the tangle of great statesmen and national culture he discovers conflicting regional political interests, sharp regional variations in political capacity, fearful defenses against excessive democracy, coercive conquest of weak states, and unintended consequences galore. Read, think, and learn.
So, Mexico, Brazil, they wanted their national culture to be 'blackish' - really brown, a beautiful brown blend. And finally, I discovered that in each of these societies the people at the bottom are the darkest skinned with the most African features.
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