I'm history! No, I'm mythology! Nah, I don't care what I am, I'm free!
In Greek mythology, the hero wants to be great, but the very concept does not exist in the Indian vocabulary. Yet it has become the global template. And it's a template that won't fit in India.
Mythology is a vast body of knowledge that has not been tapped.
I've talked to dozens of Chicagoans who will only go off the record in talking about the manufactured mythology.
[John Musker] got me reading the mythology and we very early on we worked up a basic storyline centered around the character of Maui. He just seemed like a great character to kind of build a movie around. He's this mythic demi-god, bigger than life character. He pulled up islands with his magical fishhook. He slowed down the sun. He's Pan Pacific.
In mythology and palmistry, the left hand is called the dreamer because the ring finger on the left hand leads directly to the heart. I find it a very poetic idea. And thats why I only wear nail polish on my left ring finger.
Star Wars is mythology. Its like Greek mythology or Shakespeare. Its the story of good versus evil over a very long span of time. The storytelling is universal and timeless.
Baseball is really two sports -- the summer game and the autumn game. One is the leisurely pastime of our national mythology. The other is not so gentle.
In mythology, the Medusa can petrify people with a look - which is a good thing, I think. But the Medusa is a unique symbol - something strong. It’s about going all the way.
Even the greatest mathematicians, the ones that we would put into our mythology of great mathematicians, had to do a great deal of leg work in order to get to the solution in the end.
I stick closely to the structure of the myths. I may have some fun with the mythology by changing the environment to modern-day, but the structure of the myths, the monsters, the relationships of the gods - none of that is made up.
I think people should read fairy tales, because were hungry for a mythology that will speak to our fears.
It's starting to catch hold, and in large measure it's because we're starting to understand that much of what we have talked about in ancient mythology and mystical experience and so forth can pretty well be modeled within the world of quantum physics. That's a 20th century phenomenon also.
The thing about tourism is that the reality of a place is quite different from the mythology of it.
The bodies of the damned shall be crowded together in hell, like grapes in a wine-press, which press one another till they burst; every distinct sense and organ shall be assailed with its own appropriate and most exquisite sufferings.
The wrath of God burns against them, their damnation does not slumber; the pit is prepared, the fire is made ready, the furnace is now hot, ready to receive them; the flames do now rage and glow.
The view of the misery of the damned will double the ardour of the love and gratitude of the saints of heaven.
Of all the minor creatures of mythology, fairies are the most beautiful, the most numerous, the most memorable.
I think the show [Grimm] became a little more procedural following the pilot, and I didn't know that would happen. Recently more of the mythology has crept in, and the characters are starting to bloom.
My personal life is a source of incredible happiness for me, but it's personal and it's not for me to hock, or shop around to the highest bidder. Plus, it could never live up to the amazing mythology that everyone online has created for me, so I'll keep mum about it.
I used mythology to tell the story [in Living with Love], with the story of the minotaur and the matador and fighting and fighting for love and the color red and flowers and horns and death and naked men. You know, the important things in life.
Drawing from art history and mythology allows me to connect with viewers in a familiar, yet loose visual framework. Blending disparate histories and themes can give the overall presentation a recognizable, yet unique flavor.
I love to read about music and about art, but I don't try and take things about mythology or guidelines as to how I'm to behave as an artist. It's the realm of intellectual debate. Actually, more and more my direction is trying to get further away from being self-conscious of what the parameters are of the mainstream, where it intersects with the underground.
Schumpter's daring and dashing entrepreneur is now a legendary figure from the distant past - if not from the mythology of capitalism - or is to be found only in the demimonde of business, founding new ice cream parlors or "deep freeze subscription clubs".
In India we have a readymade world of fantasy available in Indian mythology. And this is why we see such a surfeit of characters drawn from mythology. I don't think it's because the present day humanity is soulless.
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