The living thing is not the clay molded by the potter, nor the harp played upon by the musician. It is the clay modeling itself.
I know a lot of people that have had fake Twitters... actors and musicians that I know. It's sort of a problem. There are all these people that sign up thinking that they're getting somebody's real thoughts when it's just some guy.
If our hearts and minds are not properly transformed, we are like musicians playing untuned instruments, or engineers working with broken and ill-programmed computers. The attunement of the heart is essential to the outflow of grace...We must aim at building the structures of God's kingdom but recognized that we will only create these through the transformation of our experience. Concentration on reformation without revival leads to skins without wine; concentration on revival without reformation soon loses the wine for want of skins.
To be a musician is a great privilege but it is also a very great responsibility. One must think that to be a musician is a gift - a gift from Nature. There is no great merit in us except in loving this gift with respect and devotion and doing everything possible to honor that gift by work and more work. We must work with conviction and humility, searching for beauty, simplicity, and the Truth. And it is for us musicians to do all in our power for a better world. Music must carry the message of beauty, of love and of peace.
Classical music gradually lost popularity because it is too complicated: you need twenty-five or thirty skilled musicians just to hum it properly. So people began to develop regular music.
To be an outstanding musician, you have to be very attentive to the smallest detail and willing to have infinite patience in the pursuit of your ideal. You require absolute control and professionalism.
We try to make each situation specific to the person. At the beginning of the season, we come up with, like, 50 to 100 ideas, which we workshop and then we call around to see who is interested in doing something like that. Once we find the people, we make the bid specific to them. A lot of it is about where you can get people to go physically, which is a little tricky because most actors and musicians are kind of hermits-they like to stay in their houses.
To a musician or songwriter, your canvas is silence.
I have a real love of sound and the shape of the sound. I'm a musician, and I'm fascinated with the effects of sound, and tone, and pitch and melody and all that sort of stuff.
A lot of people live with no apparent means of support. I kind of envy the musicians up there. You're down here, busting your ass in Hollywood, and it's like Lily Tomlin's joke about the rat race - all you prove in the end is that you're a rat.
I don't think being a musician makes me a role model at all. But I do believe that I have responsibility to offer people a helping hand when and if I can, just the same way that others have helped me. I think that it's important to keep that cycle going, and to give back to whatever your personal definition of community is.
I never became primarily a musician! I've always been a wanderer and I'm always bored.
I actually started as a singer in Brooklyn, and I lived in a community. To get out of the ghetto of my community, I was a musician.
Bach, Mozart, Beethoven and Tchaikovsky were not classical musicians while they were alive and active, they were the rock stars of their day.
If I wrote something just for a musician and not for a soundtrack I would have no inspiration from scenes or from the story. It's like if a painter sees a beautiful scene and he paints it. If he's in his home it's not the same.
One thing I always found hard to stomach over the past few years is that being a DJ or musician is a career opportunity.
There's zero correlation between owning music and being a greater music lover or musician than the next person.
When I was growing up, I fetishised New York City. It was the land of Lou Reed and the Velvet Underground, it was where Leonard Cohen wrote 'Chelsea Hotel', it was CBGBs and all the punk rock clubs. Artists and musicians lived there, and it was cheap and dangerous.
I stopped drinking and realised New York still has a lot of charm, but it has become so bourgeois and affluent - and I can't really complain because I'm sort of bourgeois and affluent myself, but I like living in a place where artists and musicians and writers can actually pay the rent.
I used to have a lot of envy for those musicians who have been universally loved.
There are so many musicians, friends of mine, who play shows for ten people a night, or always desperately wanted a record contract. So even if every person on the planet loathes me, I have nothing to complain about. My job is not a bad job, so I can't complain.
There's really no reason for any musician, writer, actor to ever take themselves seriously. If you work in a needle exchange, take yourself seriously. You're doing good work. If you're involved in hostage negotiations and saving lives, you can have a sense of entitlement.
Musicians, actors, writers - we're all neurotic, odd people who've lucked into accidental careers. So I just don't like being around public figures with that sense of entitlement, it just seems unhealthy, and it strips so much potential for them to develop as a human being.
I download music just like anybody else, but it's a weird relationship when you're a musician.
I think one of the reasons I'm successful as a musician is that the first like 30 shows I played, I played with no monitors standing in front of guitar amps in a shitty, smoky warehouse where people were screaming and wasted, knocking over my gear. So shows after that seem pretty easy!
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