I play each point like my life depends on it.
If you can react the same way to winning and losing, that's a big accomplishment.
I remember as a kid, I was improvising and making little trophies out of different materials and going in front of the mirror, lifting the trophies and saying 'Nole was the champion!'
The difference of great players is at a certain point in a match they raise their level of play and maintain it. Lesser players play great for a set, but then less.
You have to find it. No one else can find it for you.
That's when you've got to grit your teeth and hang in there and try and find a way to win when you're not playing your best tennis - that's what I can be proud of
You live during the match, and you have strong emotions, but you don't want to get too overexcited. My body's totally flat now. I cannot move anymore. I'm totally exhausted, just because of the tension out there.
If you can react the same way to winning and losing, that's a big accomplishment. That quality is important because it stays with you the rest of your life, and there's going to be a life after tennis that's a lot longer than your tennis life.
The depressing thing about tennis is that no matter how good I get, I'll never be as good as a wall.
This time last year I would have said Federer would beat Sampras's record. Now I'm not so sure. His aura has gone. He's not as dominant as he was, and since I beat him in Australia he's looked frustrated. Players are beginning to challenge him now, especially myself and Rafa. He's got 12 Grand Slams to his name and maybe he will beat Sampras, but now I'm here it will be tough for him.
You've just got to get over that mental hurdle and those battles in your own head during matches when things aren't going so well. It takes time. It's probably all things I already knew, but for someone to talk about it maybe in a different way makes you realise things.
Both Arthur Ashe and Billie Jean King used these phrases ("playing out of one's mind," or "over one's head") to describe their performances while winning tghe finals at Wimbledon in 1975. . . . The player loses himself in the action, continually breaki g the false limits placed on is potential. Awareness becomes acutely heightened, while analysis, anxiety and self-conscious thought are compoletly forgotten. Enjoyment is at a peak - pure and unspoiled.
You've got to take the initiative and play your game. In a decisive set, confidence is the difference.
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