Indeed, the idea that doubt can be heroic, if it is locked into a structure as grand as that of the paintings of Cezanne's old age, is one of the keys to our century. A touchstone of modernity itself.
Poetry, in the past, was the center of our society, but with modernity it has retreated to the outskirts. I think the exile of poetry is also the exile of the best of humankind.
It is so true that in liquid modernity freedom was, so to speak, let off the leash, and for a quite a number of years the freedom of choice was "in principle" unlimited. One result was the weakening of inter-human bonds, particularly inherited bonds, and the counterfactual assumption that individuals must and can fend for themselves.
I'm operating in the gap between the trajectory of modernity and the trajectory of modernism. So what people think is design is not design, it's my attempt to engage with the trajectory of modernity.
The people of Iran have been battling against consecutive conflicts between tradition and modernity for over 100 years... some have tried and are trying to see the world through the eyes of their predecessors and to deal with the problems and difficulties of the existing world by virtue of the values of the ancients... many others...seek to go forth in step with world developments and not lag behind the caravan of civilization, development and progress.
Lee was very much his own person so it's impossible to know quite what he would have thought but part of the reason for me staying is that I believe he always wanted this to be a house that would be here forever, that he never wanted his name not to mean anything any more. And I want that too. I want Alexander McQueen to continue. Then, in a hundred years time, there will still be this house that he created, this great place that represents modernity and creativity and beauty and romance and all of those things. That, I think, would be amazing.
The critical method which denies literary modernity would appear -- and even, in certain respects, would be -- the most modern of critical movements.
Modern value-neutral society (Gesellschaft rather than Gemeinschaft) is systematized predation tempered not by conscience or values but rather merely by a system of law, which is no less corrupt with private interests and its own forms of predation. In modernity sophism is the order of the day, and this obliges its most adept practitioners to learn how to develop the art of appearing to be other than one actually is.
Africa must take the first steps into modernity on its own. There must be a change in mentality. We have to stop perceiving ourselves as beggars.
The scientific and societal achievements of the modern age are undisputable. But after the French Revolution, modernity increasingly emancipated itself from Christian roots, thereby becoming rootless itself.
High-consequence risks form one particular segment of the generalised 'climate of risk' characteristic of late modernity - one characterised by regular shifts in knowledge-claims as mediated by expert systems.
When I think of the library of Alexandria and of the fact that, although it burnt down, people continue to sort the letters of the alphabet according to that tradition, then that makes certain expressions of modernity, even of interventions on the textual level, possible.
Artists are looking for a new modernity that would be based on translation: What matters today is to translate the cultural values of cultural groups and to connect them to the world network. This “reloading process” of modernism according to the twenty-first-century issues could be called altermodernism, a movement connected to the creolisation of cultures and the fight for autonomy, but also the possibility of producing singularities in a more and more standardized world.
Altermodern is an in-progress redefinition of modernity in the era of globalisation, stressing the experience of wandering in time, space and mediums. The term 'altermodern has its roots in the idea of 'other-ness (Latin alter = 'other, with English connotation of 'different) and suggests a multitude of possibilities, of alternatives to a single route. It suggests that the historical period defined by postmodernism is coming to an end, symbolised by global financial crises.
To live in the universe of high modernity is to live in an environment of chance and risk, the ineveitable concomitants of a system geared to the domination of nature and the reflexive making of history. Fate and destiny have no formal part to play in such a system, which operates (as a matter of principle) via what I shall call open human control of the natural and social worlds.
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