When you automate an industry you modernize it; when you automate a life you primitivize it.
Where the Old Masters created an illusion of space into which one could imagine walking, the illusion created by a Modernist is one into which one can look, can travel through, only with the eye.
The newer people of this modern age are more eager to amass than to realize.
No matter how brilliant, amusing or intelligent the creek of abstraction, Dadaism, Minimalism and Conceptualism of the 20th century was, it didn't much affect the historical river of figuration. I predict that in 50 years and in 300 years, figurative art will still be strong and important.
I am not the avant-garde. I am the artist who comes after the advancing guard. I am more concerned with continuity of ideas and tradition than in inventing a unique imagery.
Pop art is the inedible raised to the unspeakable.
It's impossible in our postmodern era for anyone to be original - for anybody to do what Jackson Pollock did.
I have lived among enough painters and around studios to have had all the theories - and how contradictory they are - rammed down my throat. A man has to have a gizzard like an ostrich to digest all the brass-tacks and wire nails of modern art theories.
The postmodern reply to the modern consists of recognizing that the past, since it cannot really be destroyed, because its destruction leads to silence, must be revisited: but with irony, not innocently. I think of the postmodern attitude as that of a man who loves a very cultivated woman and knows he cannot say to her, I love you madly, because he knows that she knows (and that she knows that he knows) that these words have already been written by Barbara Cartland. Still, there is a solution. He can say, As Barbara Cartland would put it, I love you madly.
It is only the modern that ever becomes old-fashioned.
Now, here, you see, it takes all the running you can do, to keep in the same place. If you want to get somewhere else, you must run at least twice as fast as that!
I am a prisoner of a gaudy and unlivable present, where all forms of human society have reached an extreme of their cycle and there is no imagining what new forms they may assume.
Modernism is about space. Postmodernism is about communication. You should do what turns you on.
Form, color, composition, drawing, are auxiliaries, any one of which... can be dispensed with.
Because modernism has conquered art, kitsch is the savior of talent and devotion.
Modernism is the protein of our cultural imagination.
Universal design systems can no longer be dismissed as the irrelevant musings of a small, localized design community. A second modernism has emerged, reinvigorating the utopian search for universal forms that marked the birth of design as a discourse and a discipline nearly a century earlier.
Decoration is asked to be 'merely' pleasing, 'merely' embellishing, and the 'functional' logic of Modernism leaves no room, apparently, for such 'mereness.' This is part of the pity of Modernism, one of the sacrifices it enjoins.
I think the adjective post-modernist really means mannerist. Books about books is fun but frivolous.
One of the very basic ideas of Post-Modernism is rejection of arbitrary power structures. Different people are sensitive to different kinds of power structures.
what exactly is postmodernism, except modernism without the anxiety?
If exposure of body is modernism, then animals are more modern than humans.
Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism's high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.
The edge in modern painting is charged with neurosis; it meets a world that no longer confirms it but which is hostile or at best indifferent.
A novelist who ranks with Proust , Kafka , Musil and his friend James Joyce as one of the enduring pillars of Modernism.
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