... modern life is no longer thinkable without photography.
To do justice to modern technology's rigid linear structure, to the lofty gridwork of cranes and bridges, to the dynamism of machines operating at one thousand horsepower - only photography is capable of that. What those who are attached to the painterly style regard as photography's defect, the mechanical reproduction of form - is just what makes it superior to all other means of expression.
We have at our disposal modern techniques for seeing everything, apprehending everything, yet we see nothing.
Essential to our personal faith and development is the unmistakable knowledge that our Father and our Savior want us to succeed. They want us to return to Their presence. Because of Their love for us, They have given us resources to obtain comfort, direction, and strength for our journey home. I speak of prayer, the wonderful and sublime ability to communicate and share our concerns with the Father; the Holy Spirit, which will enlighten and comfort us; and the words of the prophets, both ancient and modern. These resources give us understanding and direction in dealing with our challenges.
The historic idea that the devil tempts men had this remarkable effect, it produced the man of iron who fought; the modern idea of blaming his heredity or his circumstances produces the man who gives in at once.
In our modern society the image and mythic process has been taken over by corporations that directly control advertising and, indirectly, the entertainment industry. Powerful erotic images are used for the sole purpose of selling consumer products; the side effects of this commercialization have a profound impact on the sexual imagination and identity of vast numbers of people.
Modern humans became fixated on a collective hallucination of linear time, ignoring the fractal spirals of the surrounding universe.
As Colin Wilson has written, "modern civilisation, with its mechanised rigidity is producing more outsiders than ever before-people who are too intelligent to do some repetitive job, but not intelligent enough to make their own terms with society." Those "intelligent enough" to make their own terms with society are what we will later refer to as artists of life. The outsider views himself as a product of a culture he rejects-the artist views himself as a culture-builder.
If we must grind up human flesh and bones in the industrial machine that we call modern America, then, before God, I assert that those who consume the coal and you and I who benefit from that service, because we live in comfort, we owe protection to those men first and we owe security for their families if they die.
I am the representative of all the sick people and what they are doing to me is only the worst case right now, but there will be others. I am living on borrowed time anyway. I owe this part of my life to luck and modern medical science. But I can't imagine what the rest of it will be like if they won't let me use medical marijuana.
Anyone who has studied the history of technology knows that technological change is always a Faustian bargain: Technology giveth and technology taketh away, and not always in equal measure. A new technology sometimes creates more than it destroys. Sometimes, it destroys more than it creates. But it is never one-sided. The invention of the printing press is an excellent example. Printing fostered the modern idea of individuality but it destroyed the medieval sense of community and social integration.
If greed were not the master of modern man, how could it be that the frenzy of economic activity does not abate as higher standards of living are attained, and that it is precisely the richest societies which pursue their economic advantage with the greatest ruthlessness?
I am not good at dealing with the modern media. I have not felt I have been as effective as I should be.
Between the poor and any appreciation for modern science stands a wall made of failed schools, defunded libraries, denied opportunities, and the systematic use of science and technology to benefit other people at their [the poor's] expense.
I would hope that wherever Sheryl Crow, Paula Cole, and Fiona get played is where I'd be played. And right now that seems to be the modern Adult Contemporary market.
Only the camera seems to be really capable of describing modern life.
Art has no place in modern life. It will continue to exist as long as there is a mania for the romantic and so long as there are people who love beautiful lies and deception... Every modern cultured man must wage war against art, as against opium... Photograph and be photographed.
We struggle against easel painting not because it is an aesthetic form of painting, but because it is not modern, for it does not succeed in bringing out the technical side, it is a redundant, exclusive art, and cannot be of any use to the masses. Hence we are struggling not against painting but against photography carried out as if it were an etching, a drawing, a picture in sepia or watercolor.
Every time the diaphragm winks, the camera repeats the question that now travels through cyberspace and invades, as a modern virus, the memories of machines, men and women. The question that history sets forth. The question which forces us to define ourselves and whose answer makes us human: On which side are you?
I did not like that name "world music" in the beginning. I think that African music must get more respect than to be put in a ghetto like that. We have something to give to others. When you look to how African music is built, when you understand this kind of music, you can understand that a lot of all this modern music that you are hearing in the world has similarities to African music. It's like the origin of a lot of kinds of music.
As an artist and a songwriter myself, I like to feel connected to modern culture and watch how sounds change.
One out of every eight prisoners in the world is an African American. We are warehousing people as a profit to shareholders or for benefits to communities that get to host federal prisons. It is modern slavery.
There are always things I have to remove. I might look at a shot for five months, when somebody new to the screening room will say, 'hey, there's a modern air conditioner in that window.' It's a process.
So, we've gone from covered wagons to going to the moon in just under 100 years. For all the centuries and thousands of years before us, people walked or rode horses, cows, camels or whatever. This so-called modern era, from the late 19th century through now, has been the period of the most amazing development, discovery, innovation and acceleration of change that humans have ever experienced. And it hasn't slowed down yet.
There's an old saying, "We can mess it up and God cleans it up." I haven't noticed a deity of any sort cleaning up our messes. We're going to have to do it ourselves, particularly since we have created most of these problems just by the genius and creativity that we've expressed and experienced here in this modern period. We've done it, and we've got to straighten it out.
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