Memoir isn't the summary of a life; it's a window into a life, very much like a photograph in its selective composition. It may look like a casual and even random calling up of bygone events. It's not; it's a deliberate construction.
Anyone who believes you can't change history has never tried to write his memoirs.
The past is never dead. It's not even past.
History is written by the victors, but it's victims who write the memoirs.
The Canadian version of Julius Caesar's memoirs? I came, I saw, I coped.
I keep thinking my father gave me Turgenev, and then I realize at some point, Oh, this is a false memory. I mean, that's one of the things that interests me about memoir. It should be as much about how we remember, and that includes false memories, and the realization that one is having a false memory. That's the kind of an interesting way of layering the whole experience of recollection.
Life Among the Savages is a disrespectful memoir of my children.
Some people think memoirs should be held to a perfect journalistic standard. Some people don't. Obviously I don't. My goal was never to create or to write a perfect journalistic standard of my life. It was always to be as literature.
The discipline of writing a memoir comes in the editing. This is where I cut, slash, and burn - where my creative mind is transformed into a ruthless one. No word escapes my scrutiny. It is here where I see what boundaries need to be set.
I think that today's books, in which every quote, every conversation, is taken from a memoir, an autobiography, an interview, or what-have-you, are much more convincing.
She had all the best things wrong with her—incest, insanity, drug addiction, bulimia, alopecia: you name it. All the perfect stuff for a memoir. She’s so lucky.
In the olden days, a memoir was something written by Churchill and people like that, because they had a grand experience and considered it useful for future generations. And then it became what it became - a public purging in which other people have the chance to judge you and then forgive you, perhaps learning something from your sorry example.
In a sense, you're always mythologizing your life; it's always an effort to make yourself epic. At least in fiction you can lie and sort of justify your delusion about your "epicness." But when you're writing a memoir, you're trying to make your life epic and it's not - nobody's life is.
I did not set out to write another novel. One day I sat down with the thought of trying my hand at a piece of nonfiction, a personal memoir of youth, but over the next several weeks, without intending it, the work began evolving into what has become 'Tomcat in Love.
I get kind of tired of the "But it's your life!" attitude about memoir. I wrote. I engaged in artistic production. I made a piece of art. Why the preciousness or mystical unicorns around "memoir"? I'm curious how you feel about it just now.
A memoir takes some particular threads, some incidents, some experience from a person's life and gives an account of it.
What are you going to do with astronauts who first reach the surface of Mars and then turn around and rocket back home-ward? What are they going to do, write their memoirs? Would they go again? Having them repeat the voyage, in my view, is dim-witted. Why don't they stay there on Mars?
But it's hard for me to pinpoint where all my characters and dialogue come from - imagination or real life. My memoir, of course, was all about my past, and many of the short stories cleave very closely to my life, but the more stories I wrote in the collection, the more that seemed to be invented, but who knows... I think I'm writing about a young woman with acne who shoplifts, but I'm really writing about myself.
The most obvious difference between writing novels and memoirs is that my memoirs are true stories, and explore certain experiences I've lived, and thus operate within the boundaries of memory and fact.
Memoir is a unique opportunity to revisit yourself. I don't mean by memory. I mean in the revision process. You don't just write a chapter and that's it. You must constantly return to it. You must dote on it. And even if it's saying something ugly about who you are, you have to find the poetry in it. You have to find the poetry in yourself.
I believe that the memoir is the novel of the 21st century; it’s an amazing form that we haven’t even begun to tap…we’re just getting started figuring out what the rules are.
But who has time to write memoirs? I’m still living my memoirs.
There is no such thing as too ordinary to write about, whether that's life or a scene in a novel. What's interesting to people, whether it's memoir or fiction, is the truth.
I think that's the thing that memoir can do more than anything it does; it testifies and bears witness to the existence of people whose lives, pleasures and virtues would never have been testified to without my having done it. That makes me really glad.
This week Sarah Palin's memoir became a bestseller. It's not even out yet. It's being translated into English.
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