Iris, if you were a melody...piano melody. I used only the good notes.
Most Radiohead songs are actually REM songs, I just have a mentally ill child read the lyrics aloud and then I change the melodies a bit.
Every time I finish a song... most of the time it's in my own head, like this sounds too much like a Townes Van Zandt song, or whoever. I realize there are so many melodies and chord progressions in pop and rock music that are so similar that you can kind of trace it back to other things. Most of the time it's just in your head.
I shall take my voice wherever there are those who want to hear the melody of freedom
Even if chords are simple, they should rub. They should have dissonances in them. I've always used a lot of alternate bass lines, suspensions, widely spaced voicings. Dfferent textures to get very warm chords. Sometimes you're setting up strange chords by placing a chord in front of it that's going to set it off like a diamond in a gold band. It's not just finding interesting chords, it's how you sequence them, like stringing together pearls on a string. ... Interesting chords will compel interesting melodies. It's very hard to write a boring melody to an interesting chord sequence.
The saxophone is actually a translation of the human voice, in my conception. All you can do is play melody. No matter how complicated it gets, it's still a melody.
CSPS is a breath of musical fresh air. With a whale sized hooks and neck wrenching riffs you’ll have more than you need to fall head first into this band’s fanbase. Take a listen and see what all the fuss is about. I’m sure that if the bone tight rhythm section doesn’t lock you in, the finely spun lyric and melody will surely ensnare even the pickiest of musical palette.
My symphonies would have reached Opus 100 if I had but written them down... Sometimes I am so full of music, and so overflowing with melody, that I find it simply impossible to write down anything.
The melodies were melodies that anybody could sing or hum or whistle. And the words were just about that simple. I think the stories Hank told in his song fit so many people. Nearly everybody in the audience acted as if Hank were singin to them alone.
A song that sounds simple is just not that easy to write. One of the objectives of this record was to try and write melodies that continue to resonate.
Well, it's one of the things that will. Words are good, and words help us become the leading species on earth to the point where we are now ready to wipe ourselves off the earth. But I think that all the arts are needed, and sports too, and cooking, food, and all these different ways of communication. Smiles, looking into eyes directly, all these different means of communication are needed to save this world. But certainly a great melody
If you listen to a lot of the songs that are popular now, there's very little melody in there. People love the beat. But to musicians, it's melody, because we understand how elusive it is and how hard it is to hold.
You can find me in the melodies, the chord progressions, the song style and structure. The lyrical places you fine me most are in the lyrics that 'show' more than 'tell.' I like to describe what the listener is seeing and let them make up the middle rather than telling them.
Life's piano can only produce melodies of brotherhood (and sisterhood) when it is recognized that the black keys are as basic, necessary and beautiful as the white keys.
What comes first? The melody, always. It's all about singing the melodies live in my head. They go in circles. I guess I'm quite conservative and romantic about the power of melodies. I try not to record them on my Dictaphone when I first hear them. If I forget all about it and it pops up later on, then I know it's good enough. I let my subconscious do the editing for me.
I'm starting to play all the melodies with kind of keyboard sound but playing it from the bass guitar.
Paul Simon once said that a songwriter's supreme challenge was being complex and simple at the same time-writing songs with lasting depth that are also simple enough to be memorable. Jimmy Van Heusen was a master at this kind of song. His music was complex, with deeply rich chord changes any jazzman can embrace, but also possessed catchy, crystalline melodies of exceeding sing-ability. His songs were meant to be sung, not just listened to, and they were sung by the best, with Frank Sinatra and Bing Crosby at the top of that list.
Your music can be played easily and well by any half-stringed harper or fumble-fingered idiot. Not that I'm maligning your songs. It's just that they're an entirely different kettle of fish-to use a seamanly metaphor-to Domick's. Don't you judge your songs against his standard! More people have already listened to your melodies and liked them than will ever hear Domick's, much less like them.
Lyrics are kind of the whole thing; it's the message. Something might have a beautiful melody but if it's not the truth coming out of your mouth, it's not appealing
When I sang my American folk melodies in Budapest, Prague, Tiflis, Moscow, Oslo, or the Hebrides or on the Spanish front, the people understood and wept or rejoiced with the spirit of the songs. I found that where forces have been the same, whether people weave, build, pick cotton, or dig in the mine, they understand each other in the common language of work, suffering, and protest.
You should do what we do, stack chips like *Hebrews* Don't let the melody intrigue you (uh-uh) Cause I leave you, I'm only here For that green paper which lead you
Know all things to be like this: A mirage, a cloud castle, A dream, an apparition, Without essence, but with qualities that can be seen. Know all things to be like this: As the moon in a bright sky In some clear lake reflected, Though to that lake the moon has never moved. Know all things to be like this: As an echo that derives From music, sounds, and weeping, Yet in that echo is no melody. Know all things to be like this: As a magician makes illusions Of horses, oxen, carts and other things, Nothing is as it appears.
When I found somebody who I fell in love with, it made me feel different than I felt the rest of the day. It was electrifying. That's what inspired the 'Off to the Races' melodies. That's one of the times when you're feeling electrified by someone else and they make you happy to be alive.
I remember my father playing me Same Situation when I was a nipper, and saying how nobody since has done melodies as well as Joni Mitchell. I concur. The thing that most affected me was just her resonance, and that is something she must have been born with.
In string theory, all particles are vibrations on a tiny rubber band; physics is the harmonies on the string; chemistry is the melodies we play on vibrating strings; the universe is a symphony of strings, and the "Mind of God" is cosmic music resonating in 11 dimensional hyperspace.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: