I wanted to create a kind of substance by means of brush-work. But that is the kind of discovery which one makes gradually... Thus it was that I subsequently began to introduce sand, sawdust and metal filings into my pictures.
The artist yields often to the stimuli of materials that will transmit his spirit.
Paint with whatever material you please - with pipes, postage stamps, postcards or playing cards, painted paper, or newspapers.
When mountains and waters are painted, blue, green, and red paints are used, strange rocks and wondrous stones are used, the four jewels and the seven treasures are used. Rice-cakes are painted in the same manner. When a person is painted, the four great elements and five skandhas are used.
When we speak of the perfection of art, we must recollect what the materials are with which a painter contends with nature. For the light of the sun he has but patent yellow and white lead - for the darkest shade, umber or soot.
It is vain for painters... to endeavour to invent without materials on which the mind may work.
There can be no doubt but that he who has the most materials has the greatest means of invention.
We must remember that everything depends on how we use a material, not on the material itself... New materials are not necessarily superior. Each material is only what we make it.
Understanding the materials I work with... gives me a deeper understanding of my place. And it's helped me make sense of the changes that are happening to me as I grow older.
Painting is so much more than the materials.
Anything is good painting material once you get to know it.
A canvas is never empty.
It is the custom of Venice to paint on canvas, either because it does not split and is not worm-eaten, or because pictures can be made of any size desired, or else for convenience... so that they can be sent anywhere with very little trouble and expense.
Swing a bigger brush - you don't know what you're missing.
With materialization in play you have magic in your fingers and you become the wizard.
One is constantly reminded of the infinite lavishness and fertility of Nature-inexhaustible abundance amid what seems enormous waste. And yet when we look into any of her operations that lie within reach of our minds, we learn that no particle of her material is wasted or worn out. It is eternally flowing from use to use, beauty to yet higher beauty; and we soon cease to lament waste and death, and rather rejoice and exult in the imperishable, unspendable wealth of the universe.
I used anything, various materials; this is wood, and this is mixed up clay, wedged together, clay with glazes and stuff like that.
The highest wisdom adopts the humblest of bodies.
I work with things left over from other things.
Art happens when anyone in the world takes any kind of material and fashions it into a deliberate statement.
Don't be stingy with your paint, it isn't worth it.
Painters love paint itself: so much that they spend years trying to get paint to behave the way they want it to.
Water and stones. Those are the unpromising ingredients of two very different endeavors... painting, because artists' pigments are made from fluids... mixed together with powdered stones to give color... and the other is alchemy, the stone the ultimate goal.
The materials I use are absolutely essential to the work I make.
I was working with mud and photographs and thread, eyelashes, carrots and acetone... I was throwing radios off buildings and... remember floating styrofoam commas down the Milwaukee River.
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