I think this ['March']is essential reading to understand the Black Lives Matter movement. I think it's also essential reading for the Black Lives Matter movement, so that they understand the political context that they're engaging in.
I think ['March'] is not just for the Black Lives Matter movement. It's for everyone. We all have to understand what happened then, so we can understand what's happening now.
I spent almost two years working on this book ['March'] before we ever had a publisher, before we ever had a title. And when you're reading it, and you're writing it, and you're ingesting it, sometimes a single word just comes up over and over and over again. And if you're trying to capture the essence of what it is you're trying to tell, you don't have a whole lot of space.
I must always march on in my life. What's done is done.
We would like to participate in manifestations, in Occupies and things like that. We would like to be involved in a march. But we don't actually see the very hard work that goes to build confidence towards those events. And we don't have a shared discussion.
People of every age group have connected strongly with the story [the March], identifying with different components of it. A sense of fairness and recognition of injustice seem to be hardwired into kids - I know it was for me, even as an elementary school kid - and I kept that in mind throughout the creation process.
My four-year-old daughter regularly requests reading Book One [the March] at bedtime; the methods of reading, delivering, and processing the book's content vary according to a kid's age and developmental level, but she's deeply affected by the story, asking follow-up questions for days.
I hope March is a guide for today's activists. It took raw courage for young people to volunteer to go to Mississippi in the summer of 1964, and unrelenting faith in the power of democracy to organize such a massive campaign.
Dr. [Martin Luther] King led a very historic march here in Washington, D.C. It was a march for jobs and freedom. It was a march to raise expectations that this country could live up to its ideals. I have watched this debate, this conversation [betwin Hillary Clinton and Donald Trump] about bigotry, about racism, I find it all misplaced.
The problem is that our whole tribe - if you will, the larger community of humanity itself - is on a death march ecologically and in terms of the intensification of violence and conflict.
If we have access to nuclear energy, that adds to our maneuverability in ensuring energy security as India marches on, on the path to accelerated development.
Many times we ask people to march outwardly, when we haven't yet spent the needed time inwardly.
['March'] is a path you must take if you want to move from one point to another point. If you want to make it down this very long and troublesome road, follow this path. Follow this message. Follow this map. And you will get there some day.
This book [March], in my estimation, is a road map. It is a change agent. It is saying to people, "This is a way".
It is our hope that when people read "March" - Book One, Book Two, and Book Three - that they will understand that another generation of people, especially young people, were deeply inspired by the work of Rosa Parks, Martin Luther King Jr. and many others.
When I tell people I was in the St. Justin Martyr parish, if they are native Chicagoans they know exactly where I was and what that was like. The Sunday before this particular march, the archbishop of Chicago, Cardinal Cody, had required all of his pastors to read a letter in support of open housing and economic justice in every parish in the city.
The day of the march, we were forbidden to go to the march site. The man I worked for, the Presbyterian minister, knew we would want to be sort of martyrs for the cause and risk arrest. He didn't want any of that going on. So he made us stay in the neighborhood.
There's a fragment that goes, "Some say the most beautiful thing in the world is a great cavalry riding down over the hill. Others say it's a vast infantry on the march. But I say the most beautiful thing is the beloved." How political can you get?
In 2011 I stopped playing rugby for England so during the Six Nations, which is on during February and March, I was able to grab a week's skiing. But I still had to take it pretty easy because I didn't want to get injured while I was playing for Gloucester. In 2013, when I retired fully from rugby, I finally had the chance to go a couple of times a season.
So when the book came out, my mother stunned us all by leaving my father. I think three months before the book came out, she left my father the day he retired from the Marine Corps. They had a parade and march, and she came home and left.
I would have never thought that I would hear myself saying that the president of the United States is afraid of the CIA. But he is. He's afraid of the NSA as well. How else to explain that the National Intelligence director, who lied under oath to his senate overseers on the 12th of March 2013, is still the director of National Intelligence?
My mom will never march in a gay pride parade with a big sign. She is very private. She lives in Chattanooga. She tries so hard to understand me and my life. But she said to me once, "Leslie, if I live to be 105 I'll never understand this need you have to air your dirty laundry. Why can't you just whisper it to a therapist?!" She doesn't understand.
There's all these people involved, and it becomes this huge machine - it stops being just me making my own little songs for myself, or for the world. And it's hard to stop the machine. If you want to take time to write a record, they're like, "OK, tour through March, April, and June, then you can take a few weeks off to record in July before getting back on the road for the European festival circuit." After a while, I had to put my foot down.
I think a lot more people are able to take on a design challenge than ever before. And this was true 20 years ago when the desktop publishing revolution came about that allowed people with Macintosh's at home to produce professional-looking newsletters or publications for the first time. So, there's a long march toward more democratization for design.
He [Johnny Cash] was so fragile. We invaded Iraq in March, and he died in September. And because his health was so fragile, he couldn't take the controversy of making a public statement against the war. He knew that people were rabid. They attacked me mercilessly after I did the press conference with Musicians United to Win Without War. He knew that he couldn't tolerate that.
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