As a person, I do ascribe to a lot of magical thinking myself.
We tell ourselves stories in order to live.
A single person is missing for you, and the whole world is empty.
The willingness to accept responsibility for one's own life is the source from which self-respect springs.
I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means. What I want and what I fear.
Although I was able to maintain a pleasant expression, I was mentally throwing up in her face.
I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends.
I myself am made entirely of flaws, stitched together with good intentions.
As a writer, even as a child, long before what I wrote began to be published, I developed a sense that meaning itself was resident in the rhythms of words and sentences and paragraphs...The way I write is who I am, or have become.
Grief turns out to be a place none of us know until we reach it.
Grief, when it comes, is nothing we expect it to be. Grief has no distance. Grief comes in waves, paroxysms, sudden apprehensions that weaken the knees and blind the eyes and obliterate the dailiness of life.
Read, learn, work it up, go to the literature. Information is control.
Life changes in the instant. The ordinary instant.
I know why we try to keep the dead alive: we try to keep them alive in order to keep them with us.
we are imperfect mortal beings, aware of that mortality even as we push it away, failed by our very complication, so wired that when we mourn our losses we also mourn, for better or for worse, ourselves. as we were. as we are no longer. as we will one day not be at all.
Life changes fast. Life changes in the instant. You sit down to dinner and life as you know it ends.
We are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not.
Play, Incorporating Animistic and Magical Thinking Is Important Because It: Fosters the healthy, creative and emotional growth of a child; Forms the best foundation for later intellectual growth. Provides a way in which children get to know the world and creates possibilities for different ways of responding to it. Fosters empathy and wonder.
One person's magical thinking is another person's cynicism.
It's magical thinking to imagine that the reason unspeakable things are being perpetrated by younger and younger people is that they've fallen under the influence of seductive, lascivious, prurient, and violent material in books, films, television. A great deal of this type of censorship has to do with absolving parents of responsibility - parents who just plop their kids in front of the television and leave them there hour upon hour.
I'm disturbed when people let superstition, magical thinking, extreme conspiracy theories and so on blur their minds.
If anxiety is the major force of our contemporary condition, a lot of poetry - including my own, mostly - sort of tries to escape that, fly off into magical thinking or bewilderment or whatever.
People often say that you should never work with child actors. I think that's all wrong. Children have not had the imagination kicked out of them by life experience and adulthood. So, they still are very much alive with that kind of magical thinking which enables an actor to believe they're in these circumstances and make them real to you.
It's hard to resist the magical thinking that the work habits of great writers are the key to their greatness.
The magical thinking encouraged by any belief in the supernatural, combined with the vilification of rationality and skepticism, is more conducive to conspiracy theories than it is to productive political debate.
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