[Hillary Clinton] is now lost two times in a row, is the message that [Kellyanne] Conway was sending. But to the Clinton camp, the campaign's never over. It's gonna continue 'cause then you're raising money for the foundation. She's floating the fact she might run again in 2020.
Then the actual count comes in and not only does that not happen, [Donald] Trump wins, Hillary [Clinton] loses, they don't get anywhere near the House. They've lost the Senate. They've lost 1,200 seats in the last three elections. They don't have a national party, just one election. And in this next bite, Kellyanne Conway is pointing this out to them.
Why is there no mandate? You [Democrats] have lost 60 congressional seats since President [Barack] Obama got there. You lost more than a dozen Senators, a dozen Governors. 1,000 state legislative seats.
That was [Joel] Benenson. "We're talking about this election, Kellyanne [Conway]." See, they're in permanent campaign mode, and they haven't come to grips with the fact that they lost. It was stolen from them, or the alt-right did something or the white supremacists came up and did something. They didn't lose.
Kellyanne's [Conway] pointing out, you people say we don't have a mandate? You don't have a [Democratic] party. You've lost a thousand legislative seats. You only have five states.
Four states where [Democrats] have the governorship and both houses of the legislature. That's it. They have lost seats. They are not gonna win the House and Senate back any time soon. They don't have a prayer. Even if the Republicans implode, the numbers just work against them. They got too many seats that they have to defend.
We lost the connection between the entertainment world and the neighborhoods.
Isn't the first story told in the West about the Fall? Adam and Eve were immigrants too from somewhere, a lost Eden, a paradise lost. We all now are so mobile, so nomadic .
All three of my books, "Perfume Dreams: Reflections on the Vietnamese Diaspora," "East Eats West: Writing in Two Hemispheres," and "Birds of Paradise Lost," are immigrant narratives - their dreams, their traumas, their struggles - and I write them with the confidence that these stories, written from the heart, will belong, in time, to America.
You learn from doing and you learn from experiencing what it feels like to be present and lost in the moment with another artist.
There isn't much to say about my childhood. I remember explosions of intense happiness, followed shortly afterwards by profound melancholy that always prompted remarks and comments from those around me on how remote my life was from my age. Therefore I rapidly lost all my respect for age. From then on, I always lived without any age, given that every year I used to repudiate it, choosing another one for the sole good reason that I liked it better.
I never lost the taste and craft of the Renaissance.
I need to get lost and sometimes my characters lead me to places I don't expect to go.
I ask you, how would you like your mom, your wife, your daughter to spend $100,000 to go to Harvard or some state school, and go out into the workplace, and you know she's great, and men are getting paid $200 per week more than her? Would that piss you off? What if you lost your job and you stay home crippled while she goes out, and she thinks she's going to get a good job, but someone male with the same level of experience and the same level of education gets paid more than her? You're going to get pissed. Until you walk a mile in someone else's shoes, I don't want to hear it.
I was an academic and I lost my assignment at Harvard. Meanwhile, [David Petraeus] gets invited to Harvard to become a fellow.
When I fell, some people were in such shock that they didn't reach out. They were so mad at me, rather than having compassion for what happened. I lost a lot of friends.
I say we don't need art in nature, because it's so perfect without us. We need it in the cities. But the cities have absolutely lost their own center. They think having ten cars and a big bridge is the way to happiness. It's not.
With the death of Robert Mapplethorpe, I had lost my main collaborator in taking photographs. So I didn't know who to work with.
[Steven Sebring] presence was also nice for my children, who, having just lost their father, quite naturally craved warm male attention. They gravitated to him right away.
I actually had another motivation for letting Steven [Sebring] film us. After I'd been out of the public eye for 16 years, lost my friends and lost my husband, some of my confidence had been undermined. Steven made the process of filming fun; I could pretend that we were in something like Don't Look Back.
With mindfulness training we are able to recognize when we get lost in our mental dramas, and bring a kind and nonreactive presence to the feelings that accompany them.
Last season I scored 27 goals but still lost out against Robert Lewandowski. This season has started very well for me, but again I have some tough opponents, most notably with Anthony Modeste from FC Koln. I texted him the other day: "Keep calm, my friend." I am happy for him to be so successful. And in a certain way it even helps me. The better the other strikers are, the more I have to work to be to be ahead of them.
At Milan when I was younger, I worked a lot on the leg press because I'd lost a bit of my natural speed as my body was changing. I was growing too fast for the rest of my body to cope and I had some knee problems. I worked really hard in the gym to regain these fast sprints.
If you are young child and you've lost mother and dad to AIDS and rich nations sit on the sidelines not caring, you will become a frustrated person and a hopeless person.
I know it's - this is this insane analysis. Hillary Clinton lost the election because her ideas were bad. She didn't fit the electorate. She ignored states that she shouldn't have, and Donald Trump was the change agent, OK?
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