Tone is often the most important part of a conversation - and listening is so much more important than what you say.
When I got to Princeton I made a point of attending the Philosophy Club and listening to the lectures, but I didn't get involved in any discussions in those clubs. I guess after the first year, I dropped that.
At the moment I really love listening to the Dave Matthews Band.
I really like listening to music in my car.
I've been listening to a lot of Hollies stuff lately, and it's beginning to sound pretty good to me.
My father was a jazz tenor sax player. He played in a lot of big bands. So I had that sound around me all the time. The first record that really caught my ear was Clifford Brown's 'Brownie Eyes.' I grew up listening to John Coltrane and Illinois Jacquet. This is where I come from... I love improvisational music.
I was listening to a lot of hip hop, music like Public Enemy that was about raising consciousness, and I realised I could feed that directly into my work, using images in a way that was a bit like sampling - taking images from diverse places, exploring the contradictions without trying to hide the seams.
Too much emphasis is put on American roots music when people try and place me. You know, I grew up listening to punk.
What is normally called religion is what I would tend to call music - participating in music, listening to music, making records and singing.
I actually spend very little time listening to any new music.
Once you really get into a song, other than just listening to it, it forces you to go 'oh, they did this. I never would have thought of doing that,' when you deconstruct it. It's something you really can't do sometimes when you're just listening to a song. You have to really get into it.
What you're doing is putting into professional play the way that you relate to other people, the way that you analyze and relate to a written text, the way that you would persuade anybody to do anything. It has to do with listening, with humility and a sense of yourself.
I had always loved music. I grew up listening to classic country, Waylon Jennings, Merle Haggard. My dad loved Vern Gosdin and Keith Whitley. So I kept going to class and started getting totally into playing guitar and teaching myself these songs.
On the radio I listen to the easy-listening stations, the jazz stations.
It's about listening first, then selling.
My playing started to develop through the Miles Davis stuff I was listening to.
Listening is harder than just acting. Listening is the hardest part.
Music is the most powerful thing on this earth, and it's hard to be angry when you are listening to music.
Every man is different. You can't generalize with men; you have to find out what your man wants. You have to listen to him when he's telling you what he wants, because a lot of times they're telling you, but you're not listening.
I think a lot of making art is listening to yourself.
In our family, there wasn't anything else besides art. Nothing else in the world existed. My father never spoke about going to a movie or listening to music, other than my mother's singing.
I grew up listening to most of my parents' music, like The Beatles and ABBA and all that stuff.
The music I love listening to is more of the Jack Johnson, Ben Harper, Dido, Jewel Kilcher, Norah Jones, Joss Stone, a bit more of that organic live-instrumentation feel.
I think nowadays it doesn't really matter where we are physically located. We create our own culture around us to a large extent, whether it's what we're listening to, what we're watching, what we're reading - it can have very little to do with one's immediate cultural environment. We are in a global culture in that respect.
I always knew I wanted to be a musician, and I always knew I wanted to write, 'cause the people I was listening to all wrote. I never thought it was an option to sing anyone else's songs.
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