The comic impulse is sometimes a reaction to sadness. You feel like you can make one choice or the other.
I also think you have to be very careful. I mean, the heritage of our company is very strong, and building some of these businesses into leading players is extremely tough. You and I can both build a trading business, and it looks like you're doing OK, and it looks like I'm doing OK. But, really, I am, and you aren't. It comes down to the quality of clients, quality of systems, quality of risk controls.
I think you always feel like you're about a hair's breadth away from being a bad actor anyway... It's not too hard to let the rope go slack, so to speak.
Some people don't even notice. "Oh, you sound exactly like you did!" And I say, "OK, if that's what you want to believe, that's fine."
It's a social media time, where you have YouTube and everything it's kind of like you see my career grow up on camera. But a lot of the things that you would see from artists would be behind the scenes that nobody would know about before, now it's all on display.
Someone told me once that Lucinda Williams takes six years between albums, and that's what stuck to me; it's like, you really are a factory. You don't do things to make them, on your own time.
I think there's an energy about just remaining excited. Like, you can't be excited when you're not doing something new.
And these [pharmaceutical] companies are still threatening to sue. And it's like, you know, do you not have a conscience? Do you not want the world to be a better place? You're still making a profit. How much more of a profit do you want to make?
I don't think I was bullied. If I was bullied, I fought back or turned the other cheek. I have been put in a box, I guess: "Oh you're blonde, you can't play brunette." And I'm always like: "You know what? I'm going to prove you wrong, I'm going to make my hair brown."
You don't just - you often have to defend the freedoms of people you don't like, you know, whose work you don't like, because freedom of speech is not just for serious people. It's also for trashy people. So, and, unfortunately, this is at the trashy end of the scale.
I read every single letter. Some just break my heart. I've cried over letters that have come in, from young women and older women alike, saying to me, "You know, you made me want to stop crash dieting and just be healthy. You are my role model. I want to be like you."
I like to go play shows just to see people, so I'm not in the game of like, "You're at my show, you're gonna listen to it like this, blah blah blah."
I am generalizing, of course, but in hip-hop, it's like you get this shine for using the word "pussy" a billion times, and I think that that's weirdly healthier than not doing it at all - even though I really hope it ends soon because, you know, how many decades can we do that?
The whole point of being happy is not feeling like you have a job. I'm sure there are days where you're at your job and you're like, "Oh my god, this is hard."
I started publishing stories in small magazines early on, but after seven or eight or nine years you feel like you need a little more than that to show for your efforts.
Sometimes you think certain details are things that only you would notice, so it's a great thing to feel like you're not by yourself and people understand where you're coming from.
When you're making an album with people who made your favorite records as a rebellious teenager, it feels like you've achieved something.
You get to a certain age and it really occurs to you: "My mother and my father will not always be here. My spouse or my girlfriend or boyfriend are here right now, but someday they won't be." You realize that you need to like yourself.
I never imagined I'd meet Berry Gordy who told me when he first heard me sing, "You know, your singing's okay, but I like your harmonica playing better."
People always - when you rise, whenever you're getting to a point where you're a very big band, which is a very rare thing, there are always going to be people that aren't going to like you.
You always feel like your 18-year-old self in some sense. And that's what walking through New York on a June evening feels like - you feel like it's Friday and you're 17 years old.
With touring, it's like you're in this car and you've got this much fuel. You know that if you drive carefully and take your time and search your way so that you don't take the wrong turn, you'll have exactly enough fuel to go where you're going. You are empowered as you go by your audience.
Sometimes when you're on tour, it feels like you're living the same day over and over again.
The music takes you. It has to be alive. It's like you hammer something, and the way it happens to bleed leads you into new directions.
I came to understand that people come and see you because they like you. They don't come to throw things at you.
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