I've always been in this sort of perpetual state of existential longing. I feel like something's missing.
If I like something, I will pick it up from anywhere and wear it. I don't believe that only branded stuff looks good on you. If it doesn't look good in my eyes, I'll never wear it.
The sky was so clear that the starlight cast shadows, and so many sparkles and glitters and glints appeared above us that it looked like something really expensive had been dropped and shattered in heaven - God's Steuben ashtray, maybe.
Your face looked like something Death brought with him in his suitcase.
I was a psycho woman. It felt like something in me that I had no control over.
it's weird how much people change. for example, when i was a kid i loved all of these things..and over time all of them just fell away, one after another, replaced by friends and IMing and cell phones and boys and clothes. it's kind of sad, if you think about it. like there's no continuity in people at all. like something ruptures when you hit twelve, or thirteen, or whatever the age is when you're no longer a kid but a "young adult," and after that you're a totally different person. maybe even a less happy person. maybe even a worse one.
In terms of American Horror Story and Nashville, what attracted me to those, and Friday Night Lights, for that matter, is that they felt like something innovative and something that we hadn't seen before. As an actor, that's exciting.
My feet are like something from another age - prehistoric and troll-like. I keep expecting them to talk, they have that much character.
I think I do become someone else. In real life, I’m very shy, but people think I’m this angry, sexy kind of... god knows what they think! And there I am in front of them, nervous and blushing and stuttering and whatnot. So I’m definitely not the person you see in pictures. I mean, in pictures, you look like something you’re not.
I always felt like something of an outsider. But I identified with people up on the screen. That made me feel like I wanted to be up on the screen too. I felt like eventually I would get there.
If your audience doesn't like something, you should think to yourself, "Well, why don't they like something? Is there something wrong here?" And, if they like something, you should think to yourself, "Why do they like it? What am I doing right here?," and deal with those issues.
And Venus must be hot if the history of the solar system is not the history of no change for billions of years. And Venus was found hot, not room temperature as was thought until 1959. In 1961 it was detected with radio means that it is like something like 600 Farenheit and Mariner 2 was sent out to find out true or not true? It was found that even more it is full 800 [degrees Farenheit].
When you don't like something the words come more readily.
I've always felt that stylists such as you have in America are ashamed of a car and are preoccupied with making it look like something else, like a submarine or an airship...As an engineer, I revolt against this.
What we know for sure is that metaphor is the raw uranium of poetry, and that an urge to say that one thing is like something else is one of the earliest markers of the poetic spirit, the nascent poet.
A novel is what you dream in your night sleep. A novel is not waking thoughts although it is written and thought with waking thoughts. But really a novel goes as dreams go in sleeping at night and some dreams are like anything and some dreams are like something and some dreams change and some dreams are quiet and some dreams are not. And some dreams are just what any one would do only a little different always just a little different and that is what a novel is.
The world shrinking down about a raw core of parsible entities. The names of things slowly following those things into oblivion. Colors. The names of birds. Things to eat. Finally the name of things one believed to be true. More fragile than he would have thought. How much was gone already? The sacred idiom shorn of its referents and so of its reality. Drawing down like something trying to preserve heat. In time to wink out forever.
I don't love large groups of men. I've always felt like something terrible could happen when there were no women. If there are women around, it feels like there's less of a chance that anyone will get stabbed.
One of the challenges was to make a cinematic movie about literally talking heads and to try to make it feel like something you want to see in a theater.
You can't help but change when you have a kid, and for me it was just a sense of I didn't feel like anything was missing in my life and it wasn't. It all came at just the right time, and now if I am absent from my son, I do feel like something is missing.
I feel like something important has happened to me. Is this possible?
I feel like something has changed for me, but it’s a new change, so it’s going to be hard for me to describe. Maybe it has something to do with turning 30. I don’t feel as shy or nervous or self-conscious. I have more confidence that I can handle what life brings me. I don’t feel scared to have an idea and express it. I feel giddy about it because it’s a complete transformation. It’s like I’ve found my voice.
You see, that's the whole point of being in government. If you don't like something you simply make up a law that makes it illegal.
I like something with 'vice' in it.
To evoke the classic period of Italian cinema in a little film seemed like a great, fun thing to do. I had relations to that period. I had known Fellini and I had known Antonioni. I had made a movie with Antonioni and I had visited Fellini in his studios. So, it seemed like something worthwhile doing. You bring yourself to that mythical cinema.
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