I still look at that water, and I look at Moana's hair, and I'm just like, "How is this even happening?" It's such an incredible mix of technical mastery and wizardry. It's really incredible. It's layers and layers and layers. It's not unlike building a musical. It's really pretty cool.
There are many cases and layers of racist behavior in the US - from police treatment to the issues of education and job opportunities. In America, however, such cases are being discussed publically.
Of course it's contrived, but once you know how its contrived, you can understand the editorial viewpoint. CNN, for example, when you see where they're really coming from, you can subtract their bias, and get some sort of facts. Sometimes the amount of bias that is imposed in these things is so laughable that it gives you an extra layer of entertainment.
I do not deal with the text [of the Bible] scientifically. I read it, I'm interested in its layers of meaning, but my relation to it is much more an emotional one.
I am looking for the word which is there and shouldn't be there. I wonder, why is it there? Or I look for problems: the Akedah [the Binding of Isaac - Genesis 22]. It still baffles me. Each time I read it - and I read it at least twice a year - each time I discover new layers in it. Always. So this is of more concern to me than the minimalists.
I was pretty realistic to people about what we could get done, and the situation we were in, and trying to tamp down expectations. If you listen to my stump speeches, if you listen to what I said at Grant Park, I kept on saying, "Look, this is not just about me, this is not going to happen in one year, or one term, or even one presidency." And we tried to layer into everything we were saying a sense of hope, but also realism.
"You're All That" goes back to really building a life from the core of who you're. And all of those things are layers. That's just your authentic life.
I think we learn slowly as a group, but we learn. The ozone layer is still there.
This show ["This Is Mike Stud"] will have a ton of layers that people who aren't necessarily my demographic will actually really appreciate...I'm really proud.
A good or great performance is like peeling an onion; in every scene you reveal another layer, something the audience hasn't seen until then. They stay involved because they are constantly learning about and discovering the character they are watching. They can't take you for granted and it keeps them hooked.
Myths, by their definition, involve transformations, struggles through various worlds or layers of reality and of obscuration.
If you look around anywhere, layers are an important part of, not just the story and the concept, but the world you're in. If you just turn around and look at your office door, there's a door, and there's something behind it.
Our biggest challenges for the ocean and for the planet are problems of perception. People need to understand that species extinctions, habitat destruction, ocean acidification, and pollution are all chipping away at the resilience of the thin layer of life that sustains us on Spaceship Earth.
One of our priorities when doing "March" is to sort of undo what we feel is the disservice done by what we call the Nine Words Problem. Which is that most American kids, whatever they do learn about the movement, especially in school, is usually limited to Rosa Parks, Martin Luther King, "I Have a Dream." And so there's sort of a layer of unreality; there's not a sense of continuity.
I would say there have been different stages of my feminist awakening. The more layers you peel back and the more things you're made aware of, you're like, "Oh my God."
That song [ "Proud of your boy" ] in particular, I sing towards the beginning of the show [Aladdin], and what it does is show his wants and needs at the beginning and what's motivating him and carry it throughout the show. It gives him layers and dimensions. He's a well rounded character and it's great.
The desert is an ideal illusion of a blank slate - so much mystery in endless layers is hidden underneath its bright, pseudo-sterile surface.
My brand of fantasy is completely devoid of the traditional notions of magic as ritual. Instead I see the fantastic as a meta-layer of existence beyond the real world.
Each year we pump at least six billion tons of heat-trapping carbon into the innermost layer of our atmosphere, whose outer extent is only about twelve miles overhead. According to an IPCC (United Nations' Intergovernmental Panel on Climate Change) report released this year, atmospheric CO2 will, if the buildup is left unchecked, double from its pre-industrial level within the next century. That doubling of CO2 correlates with an increase in the global temperature of at least three to eight degrees Fahrenheit. The last ice age was just five to nine degrees colder than our current climate.
I can just generally say that Iran is a very multilayered, controversial country. There are so many contrasts and controversies that question themselves within whole different layers. It's not an easy place to wrap up in one answer or one question. It's a very multicultural, multiethnic place.
When I am recording on my own, it's like an oil painting: I can put that on top of that and build up layers. But with the band, it turned out more watercolor: you're leaving white bits of paper exposed, so that nothing is too overworked.
When you peel back the layers of the anti-choice motivation, it always comes back to two things: What is the nature and purpose of human sexuality? And second, what is the role of women in the world? Sex and the role of women are inextricably linked, because if you can separate sex from procreation, you have given women the ability to participate in society on an equal basis with men.
My focus on silence is to be understood as an intrinsic part of the body's search for meaning amongst the noisy assaults of everyday life. ... What quilts have brought to the viewing of art generally is this intervening layer of silence, of collected thought and concerted attention.
Younger women tend to be busier, wearing more layers and more make-up. I don't know if it's because older women are more confident, or just that we don't care any more. But that pared-down approach is the same with the sentences I write; I take out adjectives and adverbs and keep the description to a minimum.
It's so easy to demagogue the issue and make someone who speaks out against the internal-combustion engine sound like an insane communist, when the truth is that the internal-combustion engine is the biggest threat to my life in the next 25 years, in terms of what it's doing to our environment and how it's depleting the ozone layer and so forth.
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