The social-media landscape changes incredibly fast, so you have to be open-minded and nimble to keep up with it.
My hope is that the music creates a strange, beautiful, overwhelming - sometimes even frightening - landscape, and invites you to get lost in it.
The individual who fears the criticism of others is no different from the one who seeks their praise. Both are shadow figures, fading into the landscape, lacking the will to act for themselves.
It's strange how deserts turn us into believers. I believe in walking in a landscape of mirages, because you learn humility. I believe in living in a land of little water because life is drawn together. And I believe in the gathering of bones as a testament to spirits that have moved on. If the desert is holy, it is because it is a forgotten place that allows us to remember the sacred. Perhaps that is why every pilgrimage to the desert is a pilgrimage to the self.
We offer you the landscape of your birth -- Exquisite and despoiled. We all share blame. We cannot ask forgiveness of the earth For killing what we cannot even name.
Journeys are the midwives of thought. Few places are more conducive to internal conversations than a moving plane, ship or train. There is an almost quaint correlation between what is in front of our eyes and the thoughts we are able to have in our heads: large thoughts at times requiring large views, new thoughts new places. Introspective reflections which are liable to stall are helped along by the flow of the landscape. The mind may be reluctant to think properly when thinking is all it is supposed to do.
All is without form and void. Someone said of his landscapes that they were pictures of nothing and very like.
How strange it is, our little procession of life! The child says, "When I am a big boy." But what is that? The big boy says, "When I grow up." And then, grown up, he says, "When I get married." But to be married, what is that after all? The thought changes to "When I'm able to retire." And then, when retirement comes, he looks back over the landscape traversed; a cold wind seems to sweep over it; somehow he has missed it all, and it is gone.
I love the whole futuristic landscape of dark, rainy neon, the mix of Eastern and Western cultures and the beautiful shots of the flying cars.
I'd say that, in addition to actually taking my brother and sister and I camping and hiking and river rafting all our lives and introducing us to the power of natural landscapes, his [my father's] biggest impact on my thinking has been to always argue that the "spiritual case for Nature" was not going to outweigh the needs of 7 billion people and to insist that law, science and economics were the critical frameworks through which we had to defend the value of nature.
Landscape to me is a planar thing, just a view. Environment is everything down to the ecosystem. Big difference.
Many contemporary painters feel that their landscapes come from within and are brought to the surface and given form as a result of various stimuli. The artist's internal world is waiting to be evoked by whatever means the artist finds most productive, and... this world is just as important as the outer, visible world.
We're defining the competitive landscape... of who can provide the most supportive services that make life easier, keep track of things, that complement human memory in a way that helps us get things done.
The inspiration for my work comes from areas spanning the stark regions of Newfoundland to the lush and fertile valleys of the South. The landscapes offer me form; the people I've met in these places give them color.
(The processes are) doubly ruinous: they impoverish the earth by hastily removing, for the benefit of a few generations, the common resources which, once expended and dissipated, can never be restored; and second, in its technique, its habits, its processes, the paleotechnic period is equally inimical to the earth considered as a human habitat, by its destruction of the beauty of the landscape, its ruining of streams, its pollution of drinking water, its filling the air with a finely divided carboniferous deposit, which chokes both life and vegetation.
The landscape of any farm is the owner's portrait of himself.
At one with the power of the American landscape, and renowned for the patient skill and timeless beauty of his work, photographer Ansel Adams has been visionary in his efforts to preserve this country's wild and scenic areas, both in film and on Earth. Drawn to the beauty of nature's monuments, he is regarded by environmentalists as a monument himself, and by photographers as a national institution. It is through his foresight and fortitude that so much of America has been saved for future Americans.
Ah! In fact there are two moralities ... The petty one, the conventional one, the one devised by men, that keeps changing and bellows so loudly, making a commotion down here among us, in a perfectly pedestrian way ... But the other one, the eternal one, is all around and above us, like a landscape that surrounds us and the blue sky that gives us light.
The streets of L.A. undulate over short hills as though a finger is poking the landscape from underneath ... laid over this crosshatch are streets meandering on the diagonal creating a multitude of ways to get from one place to another by traveling along the hypotenuse. These are the avenues of the tryst which enable Acting Student A to travel the eighteen miles across town to Acting Student B's garage apartment in nine minutes flat after a hot-blooded phone call at midnight.
The Place of Religion in Chicago is a clearly written account of a little-studied aspect of American landscape. Based on unique field surveys and supported by photographs, tables, and beautifully crafted maps, the book will form a lasting contribution to our understanding of an overlooked element of the American urban scene: the religious landscape of a major metropolis.
It is not possible to find a landscape, which if painted precisely as it is, will not make an impressive picture. No one knows, till he has tried, what strange beauty and subtle composition is prepared to his hand by Nature.
Shadows are in reality, when the sun is shining, the most conspicuous thing in a landscape, next to the highest lights.
Russian forests crash down under the axe, billions of trees are dying, the habitations of animals and birds are laid waste, rivers grow shallow and dry up, marvelous landscapes are disappearing forever.... Man is endowed with creativity in order to multiply that which has been given him; he has not created, but destroyed. There are fewer and fewer forests, rivers are drying up, wildlife has become extinct, the climate is ruined, and the earth is becoming ever poorer and uglier.
How to save the old that's worth saving, whether in landscape, houses, manners, institutions, or human types, is one of our greatest problems, and the one that we bother least about.
It's probably hard for anyone looking at my landscapes today to realize that I was once regarded as a rebel, a dangerous influence; that I've been told I was on the verge of insanity, that my painting was nothing but meaningless daubs. Lawren Harris, the man most responsible for drawing the Group of Seven together, was accused of something perilously close to treason - his paintings, said his severest critics, were discouraging immigration.
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