I'm kind of a one-note at a time, one finger keyboard player.
Life is like a piano. What you get out of it depends on how you play it.
When you play, never mind who listens to you.
You treat the air as a canvas and the paint is the chords that come through your fingers, out of the keyboard.
Uttering a word is like striking a note on the keyboard of the imagination.
I've always been into guitars. We want to put keyboards on, but keyboard players don't look cool onstage, they just keep their heads down. There has never been a cool keyboard player, apart from Elton John.
So, I really don't consider myself a fabulous keyboard player.
Still being ambitious to want to play on the record, I was a mediocre keyboard player. And uh, I seized the opportunity and played the organ.
I'm basically a cocktail jazz kind of pianist. I'll be the first to admit that I'm not a very good keyboard player. People think I think I'm good. I think I'm a very poor piano player.
I think I'm a very poor piano player.
I do love using keyboards and I love writing keyboard parts, but I am not a player in the true sense of the word.
Most of the stuff I learned to play, I learned in high school. I had a band in high school, a jazz-fusion thing, and I was the keyboard player. I was interested in how the instruments worked and the theory behind playing with them.
I think that the most significant, guiding principle was that we wanted to return to a three-piece live form, whereas we became a four-piece for the last record because the songs had more extensive arrangements and we needed a keyboard player to pull off a lot of those songs. We missed the energy, and more push-and-pull of the three-piece.
People say I seem very negative about new music - well, if somebody asks me what I think of Keane, I'll tell 'em. I don't like 'em. I'll obviously take it a step too far and grossly insult the keyboard player's mam or summat, but I'm afraid that's just me.
For me, it's never been an ego situation where I have been "I'm the boss; expletive you." It's always been a situation where someone comes to me and says "I can't tolerate working with you anymore" and I would admit sometimes I wouldn't blame them for that. But I also sometimes think I'm not that difficult to figure out. I don't really know what has driven people to be so angry and bitter - people like my old keyboard player Pogo, who I've known for such a long time. I feel bad for him, but there are grievances with everything.
Of course I knew The Band's Canadian keyboard player, the late Richard Manuel, but I didn't play that night because I was there as a guest with my record executives. People ask, "why didn't you play?" If I had known I was going to be playing then I would have been prepared for it.
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