An English journalist called Michael Viney told me when I was 25, that I would write well if I cared a lot what I was writing about. That worked. I went home that day and wrote about parents not understanding their children as well as we teachers did, and it was published the very next week.
It was when reporters became journalists and when objectivity gave way to searching for truth, that an aura of distrust and fear arose around the New Journalist.
The dominant and most deep-dyed trait of the journalist is his timorousness. Where the novelist fearlessly plunges into the water of self-exposure, the journalist stands trembling on the shore in his beach robe. The journalist confines himself to the clean, gentlemanly work of exposing the grieves and shames of others.
If you're a good journalist, what you do is live a lot of things vicariously, and report them for other people who want to live vicariously.
I always warn aspiring reporters to observe three basic rules: 1. Never trust an editor. 2. Never trust an editor. 3. Never trust an editor.
I've said what I'm prepared to say in my poems, and then journalists think that you're going to tell them a whole lot more.
My father was an engineer - he wasn't literary, not a writer or a journalist, but he was one of the world's great readers. Every two weeks, he'd take me to our local branch library and pull books off the shelf for me, stacking them up in my arms - 'Have you read this? And this? And this?"
I'm not a journalist; I'm a poet. I had a discourse, an encounter with these people but I never had a list of questions.
It's no mystery why many of us in the media can't get enough of the fabricators Jayson Blair and Stephen Glass, the latter of whom concocted more than a score of bogus feature stories for the New Republic (and who wrote for other magazines, including this one, once) in the mid-1990s. Anyone--journalist, student, academic--who has ever stared at a blank screen, their brains grinding emptiness, and thought, How can I fill this hole? knows that in those desperate moments before a deadline, almost anyone can do almost anything: make stuff up, plagiarize, scribble senseless half-truths.
The one problem with the Internet for journalists who like doing long form is that any story that's going to involve 16 screens on the web page... that's asking a lot of people.
I like it when journalists are nice to me, and it's happening more and more.
I feel like, in some ways, I'm just a journalist.
The bad news for journalists today is that the media, however seriously people who are in the public eye take it, is not taken as seriously as it once was - by the public.
At school, a careers adviser asked me what I wanted to be, and I said 'fashion journalist,' so writing for 'Vogue' has provided me with the opportunity to fulfill a dream.
I have respect for my fellow journalists at the other networks, and I wish them all well. This is a tough business, so good for them.
We journalists are never so idiotic as when we analyze things that we shouldn't be analyzing.
I'd probably still be a financial journalist now if it weren't for writing novels. Mmm. Fun! I'm much happier writing novels!
I never did any training in journalism or in finance, so I really was in the deep end. I got very good at going to press conferences and nodding. I'd figure it out when I got back to the office. Charts and numbers. I've never been great with facts, ever, my whole life. For a journalist, that's not a very good trait.
As a journalist, I'm not supposed to be the subject, but as an author, I'm fair game - another ingredient in the media soup.
I wanted to be a journalist for a long time.
My life isn't much different than when I worked full time as a journalist.
I don't like journalists and I hardly ever talk to them.
My emotional and intellectual response to Hiroshima was that the question of the social responsibility of a journalist was posed with greater urgency than ever.
My inclination, as an old-school, classically trained journalist, is not to go with a story unless I have it hard. It's not good enough to say something based on rumors that were flying around.
Sometimes when I speak to groups or I'm interviewed by a journalist, I ask them to imagine their communities without Girl Scouts - to imagine the thousands of food drives and clothing and toy collections that would never take place if not for Girl Scouts.
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