Be an individual, work hard, study, get your mind straight, and trust nobody.
Talent is cheaper than table salt. What separates the talented individual from the successful one is a lot of hard work.
The way a team plays as a whole determines its success.
Teamwork is the ability to work together toward a common vision. The ability to direct individual accomplishments toward organizational objectives. It is the fuel that allows common people to attain uncommon results.
No member of a crew is praised for the rugged individuality of his rowing.
Individual commitment to a group effort - that is what makes a team work, a company work, a society work, a civilization work.
Each individual work serves as an expression of our most personal state of mind at that particular moment and of the inescapable, imperative need for release by means of an appropriate act of creation: in the rhythm, form, colour and mood of a picture.
The way a team plays as a whole determines its success. You may have the greatest bunch of individual stars in the world, but if they don't play together, the club won't be worth a dime.
When a team outgrows individual performance and learns team confidence, excellence becomes a reality.
I am a member of a team, and I rely on the team, I defer to it and sacrifice for it, because the team, not the individual, is the ultimate champion.
The team, not the individual, is the ultimate champion.
The professional arms himself with patience, not only to give the stars time to align in his career, but to keep himself from flaming out in each individual work.
My idea for every exhibition is we should be able to see every individual work without being distracted by the others, and it doesn't matter if it's quite crowded.
Usually when I go to the Summer Exhibition, I think every room is too much the same, and I loose my capacity to look at individual works.
I would never put a sculpture in front of a painting, so that it is difficult to see the painting. I always place each thing so you can see it isolated. You can focus on every individual work.
The emphasis on original, individual work in the past years has done a great deal to produce a crop of eccentric fakes and has carried art away from the stream of tradition. Tradition is our heritage of knowledge and experience. We can't get along without it.
There is no right or wrong way to write a novel. Each journey is different for every individual work and for every writer. The first error is never to begin; the second is never to finish.
Bunglers and pedants judge art according to genre; they approve of this and dismiss that genre, but instead of genres, the open-minded connoisseur appreciates only individual works.
Today we are inundated with such an immense flood of printed matter that the value of individual work has depreciated, for our harassed contemporaries simply cannot take everything that is printed today. It is the typographer's task to divide up and organize and interpret this mass of printed matter in such a way that the reader will have a good chance of finding what is of interest to him.
A body is a living entity. It represents life, freedom, sensuality, and it is a mechanism to carry out our thoughts. A body is always beautiful to me. It depends on the individual work and what I do with it and what kind of idea lies behind it - if age matters or not. But in my group works, the only difference is how far people can go if it rains, snows etc.
In every art beginners must start with models of those who have practiced the same art before them. And it is not only a matter of looking at the drawings, paintings, musical compositions, and poems that have been and are being created; it is a matter of being drawn into the individual work of art, of realizing that it has been made by a real human being, and trying to discover the secret of its creation.
Hence my obstinate emphasis on stylistic continuity from work to work rather than specific sibling relationships between the individual work and other members of its stylistic 'family' in the world outside.
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