And by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.
The worst enemy to creativity is self-doubt.
Life is a lot like jazz. It's best when you improvise.
In the long history of humankind (and animal kind, too) those who learned to collaborate and improvise most effectively have prevailed.
I love being onstage. I love the relationship with the audience. I love the letting go, the sense of discovery, the improvising.
I look at improvising as a prolonged game of chess. There's an opening gambit with your pawn in a complex game I have with one character, and lots of side games with other characters, and another game with myself - and in each game you make all these tiny, tiny moves that get you to the endgame.
You're gonna need a bigger boat.
I ate his liver with some fava beans and a nice chianti
I think when people talk about improvising it turns into this silly thing like, "Oh there's like a hula hoop there and I'm like 'Oh what's going on here? Is this a really big ring?'"
Yeah, improvising only really works 100% when you're with somebody.
The challenge is, well, there's a huge challenge, which is when you're improvising, you're meant to sort of clear your mind completely, just be open and funny, and paying, you know, paying attention.
Improvisation is about finding the best joke or the silliest way to get something across. Improvising conflict is always fun because you can just go for it.
As much as I think John Coltrane belongs on the list, I think without Coleman Hawkins and Lester Young, both of whom defined improvising on the tenor sax, there would not have been the evolution of the craft by John Coltrane.
If they think they are doing something new, they ought to do what I do every day - spend at least two hours every day listening to Johann Sebastian Bach and, man, it's all there. If they want to improvise around a theme,which is the essence of jazz, they should learn from the master. He never wastes a note, and he knows where every note is going and when to bring it back. Some of these cats go way out and forget where they began or what they started to do. Bach will clear it up for them.
I think jazz is a beautiful, democratic music. It encourages musicians with very strong, and many times, very different points of view to work together as a team while, at the same time, giving them the space to express their individuality. It's a very important art form and can be used as a model for different cultures to work together.
I think it’s very important to live in the present. One of the great things that improvising teaches you is the magic of the moment that you’re in … because when you improvise you’re in right now. You’re not in yesterday or tomorrow—you’re right in the moment. Being in that moment really gives you a perspective of life that you never get at any other time as far as learning about your ego… You have to see your unimportance before you can see your importance and your significance to the world.
No, improvising is wonderful. But, the thing is that you cannot improvise unless you know exactly what you're doing.
Shamanic healing is a journey. It involves stepping out of our habitual roles, our conventional scripts, and improvising a dancing path.
If the same phrase in the same place created the right effect, I was perfectly prepared to use it every time. I wasn't worried that I wasn't improvising.
I don't even think you should tell the audience you're improvising. It's like an apology in case it's bad : 'we're just making it up' If the improv isn't better than the rehearsed stuff, then you should just rehearse it.
A person improvising is sometimes very fortunate that just at that second things coincide.
If you're too hung up on improvising 'correctly', you will almost always fail.
There's more truth about a camp than a house. Planning laws need not worry the improvising builder because temporary structures are more beautiful anyway, and you don't need permission for them. There's more truth about a camp because that is the position we are in. The house represents what we ourselves would like to be on earth: permanent, rooted, here for eternity. But a camp represents the true reality of things: we're just passing through.
I enjoy songwriting. It's slow-motion improvising.
My younger brother and I have been writing together, mainly for fun, for years, but we've been improvising together since we were kids. Literally.
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