Bob Dylan's one of the greatest blues singers of the western world; ancient art, on-the-spot improvisation, mind quickness, endless variation, classical formulae, prophetic vision, mighty wind-horse.
You know, when cameras are rolling, improvisation doesn't feel natural. The pressure is too great. You're on a time schedule. You've got 60 crewmen.
If anybody is a master at improvisation, it would be Ken Jeong. He is hilarious.
If it's a modern-day story dealing with certain ethnic groups, I think I could open up certain scenes for improvisation, while staying within the structure of the script.
The main three components are the blues, improvisation - which is some kind of element that people are trying to make it up - and swing, which means even though they're making up music, they're trying to make it up together. It feels great, like you're having a great conversation with somebody.
Sometimes people that are very good at improvisation in life, meaning like stage improvisation, aren't good in films because you have to ultimately take a scene where it needs to go. It's not about just saying something that's funny. You can say something funny but if it's not on story or driving the scene to its end it's really not very helpful at all.
The genius of our country is improvisation, and jazz reflects that. It's our great contribution to the arts.
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