The thing that sometimes gets lost is people look at the harder edge of me ... the leather jacket and the tough rock 'n' roll attitude... and get the wrong impression that I'm mean. That's really something I don't want people to think because I don't think that's the case.
The fact that people of all colors have been ensnared by the drug war helps to preserve the system as a whole from serious critique, as it creates the impression - at a glance - that the war is being waged in an unbiased manner, even when nothing could be further from the truth.
The World Bank is the monopoly provider of poverty data and, partly due to a leadership change there, the World Bank's reporting has been heavily on the rosy side since about 2000. The Bank's cultivation of an upbeat picture affords a very interesting lesson in statistics and how you can, depending on which numbers you present and how you present them, create a more positive or more negative impression of the evolution of poverty.
The fact that Universal Jurisdiction exists in relation to serious international crimes does convey two important aspects of the global reality: first, that such individuals would be held accountable if international law was applied without regard to geopolitics, and second, that there is enough ambiguity about the reach of UJ that it inhibits such individuals and conveys an impression of de facto criminality.
It may be that we have become so feckless as a people that we no longer care how things work but only the kind of quick, easy outer impression that they get.
Have you noticed that bones are always modeled and not carved, that you always have the impression they come from a mold, that they were first modeled in clay? Any bone you look at, you always find fingerprints on it.
My parents inspired me by their example. They both grew up in the Depression, and both of them had to quit school when they were quite young to work, because there actually was no choice. So they've always impressed me with their resilience, their good spirits, their courage. I just remember them carrying on and just doing their lives. They really made a strong impression on me.
You need to have a reader's sympathy in order to accomplish anything. It's like at a reading, I find it's better to read something funny than to read something tragic. It just goes over better because you have a finite amount of time with somebody. Of course, in a book, you have a lot of time. But you still do want to make a certain impression right when you begin.
Writing fiction lets you be a little more emotional and unguarded, a little freer. Writing fictional characters is also really different from writing about real people. In nonfiction, you can only say so much about the people you interact with. After all, they're actual people, their version of their story trumps yours. In a novel, you can build a character, using certain parts or impressions of someone you know, and guessing or inventing others, without having to worry that your guesses or memories or inventions are wrong.
The response by agribusiness interests has been to back laws that ban animal advocates from taking pictures or videos at these facilities, and ban the media from publishing any that are taken. The laws also make it a crime for animal advocates to seek employment at animal enterprises without disclosing their intentions. Media coverage of the legislative fights is overwhelmingly negative for agriculture interests. The impression left among consumers is that the proponents had something to hide.
My impression of Donald Trump, just having been around him. I don't think Trump needs a lot of advisers. I don't think Trump's sitting up there not knowing what he thinks, not knowing what he thinks is best. I don't think that as these things come and go, he runs around, "What do you think I should do?" I think what happens is he makes up his mind he wants to do something and then asks people how's the best way to make it happen. He goes and talks to the military.
I met with President Donald Trump at Mar-a-Lago in February. So he'd been in office about a month. It was for an hour. Went over there on a Saturday. They invite... Reince Priebus called and said, "The president wants to see you." He never once asked me what I thought. He never asked me once what he thought I ought to do. He never asked me what I think of this or that. My impression is this man is more self-informed and decisive.
I'm not an intimate of Donald Trump, but I have great instincts about people, and I have fairly good skill at sizing people up, and it's not phony. You can tell when somebody's talking to you and not really hearing you. I've been around powerful people ask me what I think about things, and I can tell they're not really listening. They just asked, to ask, try to score points that way. Trump listens. But you don't get the impression that he's listening from a position of indecisiveness, indecision or confusion. I've never met anybody with the energy this guy's got, either.
As a book person and a movie person, I feel Jewish. My Dad was more Buddhist than anything, and on the West Coast I've often had the impression that Jews become Buddhists. I think, if anything, my religion has more to do with California consciousness, vibrations and energy. My wife isn't Jewish. There's nothing ceremonial going on at our house, I mean, occasionally a candle gets lit. But, definitely, my Judaism is an ongoing relationship, one that remains to be consummated.
I hate giving away tricks, you have to create an impression and not an image. You want audiences to look at certain places and not look at other places. And when you've got the help of modern-day abilities with technology, it's a much more natural look.
Barry Levinson is such a deceptive director, because he seems really lackadaisical. I'd never worked with him before, and I almost got the impression that he didn't really care that much because he was so laid-back. Sometimes we'd finish filming hours before the day was over, which is just unthinkable in any other film experience I've had. I couldn't believe that Barry had the passion for it.
Being an editor it's a complicated job, but the last impression I'd want anybody to have is that it's onerous. It's a joy - a complicated joy, but a joy.
I don't ever feel a full transition to my character. I don't ever feel like I have left myself, because if I did, I would need professional medical attention. I always have to keep my own wits about me, or I would miss a mark on the floor, or be unable to follow the director's advice from the last take. However, when I'm at my best, I feel like I'm doing an impression of a person I've never met. It feels complete, and yet improvised.
I usually experiment with posture and physical attributes that may inform the character. Next, my impression gets a nice injection of inspiration when the costumes arrive and I can see his silhouette in the mirror. Then I go memorize all the lines and try and connect each line to a thought I think he might have. Then I show up on the day, wait my turn, and when the director calls "action," I trust that I have done enough work on my impression that I can just believe it strongly enough to play with abandon from inside that character.
I'm interested in language. We used to call it the War Office. Then it became the Ministry of Defence. We used to talk about the hydrogen bomb, now we talk about a deterrent. And the language is very cleverly constructed to give the impression that it's not what it is.
I don't like to read or write about life in its tiring entirety. Most days, months, even years are just filler between those few moments of modest but decisive catastrophe, misfortunes so fittingly flimsy they're almost welcome. The heart doesn't storm that often on its own, so you have to wait for something outside of yourself to get the wrecking ball rolling, and then you're set: you've finally got an impression to make on others - you're in the world distinctly and distinguishable now. It's only by our ravages that we're recognizable to each other at last.
I haven't yet given everything: I am still full of energy. But I wanted to make it clear that I don't have to make unwarranted concessions to national governments or to parliament. I want to avoid the impression that I am doing things just to ensure that I am re-elected. That's not the case. I have had my career.
The thing that interests me far more than anything is creating music, songwriting and arranging, and in that context drumming itself is a means to an end. I think it's really easy to forget that - I'd sooner play something musical than flash, and as I can't play anything flash, I try to be musical. Drums can set a mood, create an impression, as much as anything else.
As soon as I sat down to write music, really, with Café Blue. I just can't think about that when I sit down to write. I don't let myself. I actually don't allow myself to look at sales figures. Ever. I get the general impression that I'm not selling like Norah Jones, but I don't really pay too much attention, because I think it would corrupt me.
That was in 1994, July, 1994, and I can remember that like it was yesterday too because it was the culmination of a childhood dream to finally be laying on the launch pad inside a space shuttle and getting ready to be launched into space. The impression of going into a space shuttle is that it looks like a brand new simulator. We spend so many hours inside a simulator that everything is very familiar. Every switch, the seats, the way things work, but the vehicle, the actual spacecraft looks brand new because it hasn't been used nearly as much as the simulators.
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