Which is one of the dangers of immersion journalism: you can find yourself getting sucked into battles you have nothing to do with, in this case an ongoing battle between Muslims.
I must suppose that reading wonderful writers may, inadvertently, teach an avid reader a great deal -- not only about life and other matters, but about how to write. Therefore doubtless I have benefited from frequent immersions in the glowing genius of others. It would be nice to think so. (I do actually think so). But to improve my skills will never be the prompting force of my reading -- that's just literary lust.
Who of us does not recognize that the life we live, however larded with brave talk about values and thought and ideals, is not actually a life dedicated to immersion in the endless torrent of images, songs, sounds and stories?
At the very beginning, it's a desire and that's not the same thing at all, because when you have the desire to do something, all the work you can do is a positive thing. It's not something that you calculate. An idea is something you work on to make it work and a desire is much deeper in a way. The immersion, it's classical, I watched a lot of movies.
Noah Baumbach does more takes than any director I've ever worked with. He runs a very quiet set and he runs a very hard working set. He has such an intense level of dedication to what's happening that he cultivates a group of people around him who have an equal level of dedication. Nobody asks, "When is lunch?" That's just not part of our sets. It's complete immersion. He has a 'no cell phone' rule. Nobody checks their cell phone. Nobody reads on set. It's like, "If you're there, you're there. If you're not on board with that, don't work on this movie."
What the psychedelic thing can be seen as, when it's done with plants, as a return to Gaia, an immersion in the feminine.
My writerly aspirations are pretty simple: to provide as many readers as possible with the same sort of wonderful immersion that I myself get from fantasy novels - and to make enough money to help feed my kids while doing so.
Sometimes I go outside after a long stretch of writing and I'm surprised it's not raining. Or that it's daylight. Or that it's not the middle of winter. I don't know if that level of immersion is normal, but it's now I do things. I like it. It works well for me.
I've begun to recognize myself as a Catholic writer because my whole notion of the image, of symbol, of art and what it can do, has been conditioned by my immersion in Catholic culture, ritual, and art since my earliest days. Catholicism seeped into me through every pore. Catholicism is about seeping and pores!
Immersion in the scriptures is essential for spiritual nourishment. The word of God inspires commitment and acts as a healing balm for hurt feelings, anger, or disillusionment . When our commitment is diminished for any reason, part of the solution is repentance. Commitment and repentance are closely intertwined.
When you sing with a group of people, you learn how to subsume yourself into a group consciousness because a capella singing is all about the immersion of the self into the community. That's one of the great feelings - to stop being me for a little while and to become us. That way lies empathy, the great social virtue.
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