Instant-doomsday hyperbole caused the world's attention to focus on the hypothetical threat of global warming to the exclusion of environmental menaces that are real, palpable, and awful right now.
Young people are dazzled by the brilliancy of antithesis, and employ it. Matter-of-fact men, and those who like precision, naturally fall into comparisons and metaphor. Sprightly natures, full of fire, and whom a boundless imagination carries beyond all rules, and even what is reasonable, cannot rest satisfied even with hyperbole. As for the sublime, it is only great geniuses and those of the very highest order that are able to rise to its height.
On to the Next Dream is so outlandish. I call it absurdist fiction, because the story is utter hyperbole. The story builds to such an exaggerated and ridiculous pitch that there's no way it can be true - and yet, because it's based on the current cultural climate, it feels as if it is.
What has happened over the years is that scientists have now developed AIDS therapeutic capabilities, as well as prevention, and we've linked prevention and treatment in a way that if you fast-forward 30 years form '88 to now, we can say without hyperbole that we have the tools, if implemented the way they could be implemented, to theoretically, essentially end the epidemic as we know it now.
I am very fascinated by the idea of hyperbole in subject matter as well as production. I like the idea of going overboard in producing an art piece and I like the way it brings the work away from a meditative space of reflection to a more direct, impactful tool that can compete with the mainstream. I like all these power plays, which have a lot to do with contextualization. In turn, I'm interested in creating crossovers between creative disciplines and in a way in subverting the expected role of the artist in society.
Perhaps MacKinnon should reflect on these suggestions that the censorship issue is not so simple-minded, so transparently gender-against-gender, as she insists. She should stop calling names long enough to ask whether personal sensationalism, hyperbole, and bad arguments are really what the cause of sexual equality now needs.
Chefs are fond of hyperbole, so they can certainly talk that way. But on the whole, I think they probably have a more open mind than most people.
From authors whom I read more than once I learn to value the weight of words and to delight in their meter and cadence -- in Gibbon's polyphonic counterpoint and Guedalla's command of the subjunctive, in Mailer's hyperbole and Dillard's similes, in Twain's invectives and burlesques with which he set the torch of his ferocious wit to the hospitality tents of the world's colossal humbug . . . I know no other way out of what is both the maze of the eternal present and the prison of the self except with a string of words.
...In the past, as now, [Hollywood] was a stamping ground for tastelessness, violence, and hyperbole, but once upon a time it turned out a product which sweetened the flavor of life all over the world.
When hot dogs like Mr. D'Amato or the Republican apologist Roger Ailes say that Whitewater is worse than Watergate, it's because they're suffering from a disease. It's called bull-imia, and it's the regurgitation of patent hyperbole.
Any time you make an analogy to horrific people in history, Mussolini or Hitler, people say, 'Oh, you're exaggerating, you're talking about, it's hyperbole.' Maybe it is. ... But I would say is that if you are not concerned that democracy could produce bad people, I don't think you're really thinking this through too much.
We need to replace hyperbole with a reasonable, informed discussion about how to reinvent the federal budget with more transparency and better accountability.
And lastly, Chairman Khrushchev has compared the United States to a worn-out runner living on its past performance, and stated that the Soviet Union would out-produce the United States by 1970. Without wishing to trade hyperbole with the Chairman, I do suggest that he reminds me of the tiger hunter who has picked a place on the wall to hang the tiger's skin long before he his caught the tiger. This tiger has other ideas.
Every time some new huckster of angst-ridden metaphor is appointed by Art Forum, the congregation genuflects, stroking the catalog like a handful of Rosary beads, and starts spreading that old gospel according to Hyperbole. No questions asked... And thus the bill of goods is sold, all along the line. An art historical snake, swallowing its own tale.
I live in a constant state of hyperbole.
My - mine is based on the fact that Bill Clinton has done - and I'm - this sounds like hyperbole, but he has done more harm to the Constitution and the Bill of Rights than any president since John Adams.
That term was used with hyperbole about the parts of the health care bill where doctors are mandated, if people are on Medicare and of a certain age or in serious physical condition, to counsel them on their end-of-life alternatives. I don't believe that was a death panel.
The actors at that time had to learn all that stuff, it wasn't just hyperbole. What was appealing to me about being an actor at that time is that there was a home base, with job security. You were employed on a regular basis, and you had to sometimes do things you didn't want to do, but it was there. I also liked Hobie Doyle positivity.
There is less gray area there, less doubt. There is a security in being some thing all the way. Our culture, too, encourages this way of being - exaggeration, for example, is the key to advertising success in the United States. But hyperbole also seems a big part of Iranian culture, as well.
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