We all have a relentless yearning to attach and connect, to love and be loved. This relationship hunger is the fiercest longing of the human soul.
The human soul is hospitable, and will entertain conflicting sentiments and contradictory opinions with much impartiality.
There is nothing that is so wonderfully created as the human soul. There is something of God in it. We are infinite in the future, though we are finite in the past.
How frugal is the chariot that bears a human soul.
If it is the love of that which your work represents--if, being a landscape painter, it is love of hills and trees that moves you--if, being a figure painter, it is love of human beauty, and human soul that moves you--if, being a flower or animal painter, it is love, and wonder, and delight in petal and in limb that move you, then the Spirit is upon you, and the earth is yours, and the fullness thereof.
There seems to be something in the human soul that causes us to think less of ourselves every time we do something wrong... And maybe it is good for us to feel that way. It may make us more sensitive to what we do wrong and move us to repent and grow.
Punishment is a vital need of the human soul.
Men are constantly attracted and deluded by two opposite charms: the charm of competence which is engendered by mathematics and everything akin to mathematics, and the charm of humble awe, which is engendered by meditation on the human soul and its experiences. Philosophy is characterized by the gentle, if firm, refusal to succumb to either charm.
It is in the irony of things that the theatre should be the most dangerous place for the actor. But, then, after all, the world is the worst possible place, the most corrupting place, for the human soul. And just as there is no escape from the world, which follows us into the very heart of the desert, so the actor cannot escape the theatre. And the actor who is a dreamer need not. All of us can only strive to remain uncontaminated. In the world we must be unworldly, in the theatre the actor must be untheatrical.
Cut a chrysalis open, and you will find a rotting caterpillar. What you will never find is that mythical creature, half caterpillar, half butterfly, a fit emblem for the human soul, for those whose cast of mind leads them to seek such emblems. No, the process of transformation consists almost entirely of decay.
Prayer is beyond any question the highest activity of the human soul. Man is at his greatest and highest when upon his knees he comes face to face with God.
The desire to create is one of the deepest yearnings of the human soul. No matter our talents, education, backgrounds, or abilities, we each have an inherent wish to create something that did not exist before. Creation brings satisfaction and fulfillment. We develop ourselves and others when we take organized matter into our hands and mold it into something of beauty.
I think records and music are more appropriate and more respectful of the human soul than the churches are. And more respectful of the needs of humans to communicate with the aspects of themselves that are neglected by language.
To go beyond the bounds of moderation is to outrage humanity. The greatness of the human soul is shown by knowing how to keep within proper bounds. There are two equally dangerous extremes- to shut reason out, and not to let nothing in.
Spirit is like the wind, in that we can't see it but can see its effects, which are profound.
The human mind, in taking us down the path of technocracy, has become the adversary of life itself and collaterally the adversary of the human soul.
The human soul is not framed for continued proximity, and the result of this enforced neighbourhood is often an appalling loneliness for which the rules of the game forbid assuagement.
Whatever the soul knows how to seek, it cannot fail to obtain.
On the level of the Son there is no answer to the question of good and evil; there is only an incurable separation of the opposites. . . . It seems to me to be the Holy Spirit's task and charge to reconcile and reunite the opposites in the human individual through a special development of the human soul.
The Roman Catholic Church has the unique power of keeping remote control over human souls which have once been part of her. G.K. Chesterton has compared this to the fisherman's line, which allows the fish the illusion of free play in the water and yet has him by the hook; in his own time the fisherman by a 'twitch upon the thread' draws the fish to land.
The production of souls is more important than the production of tanks.... And therefore I raise my glass to you, writers, the engineers of the human soul.
All that Christ did and suffered would have been necessary had only one human soul been the object of redemption; and nothing different and nothing more would have been required had every child of Adam been saved through his blood.
Never lose yourself on the stage. Always act in your own person, as an artist. The moment you lose yourself on the stage marks the departure from truly living your part and the beginning of exaggerated false acting. Therefore, no matter how much you act, how many parts you take, you should never allow yourself any exception to the rule of using your own feelings. To break that rule is the equivalent of killing the person you are portraying, because you deprive him of a palpitating, living, human soul, which is the real source of life for a part.
Language, in its origin and essence, is simply a system of signs or symbols that denote real occurrences or their echo in the human soul.
The human soul has need of security and also of risk. The fear of violence or of hunger or of any other extreme evil is a sickness of the soul. The boredom produced by a complete absence of risk is also a sickness of the soul.
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