Hops Quotes - Page 15

• I'll have my students try to follow their minds during the course of a day, just to see the way their minds work, the way our minds hop from thing to thing to thing. The Internet mirrors that to such a degree you can actually see it. Show me your search history and I'll show you who you are.

  Dani Shapiro

  Mirrors, Mind, Trying

  Source: therumpus.net

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• I was raised with opera and very white-bread folk music like The Kingston Trio. That was about as daring as it got. So when I discovered hip-hop as a teenager, at first it made no sense to me at all.

  Jess Row

  Teenager, White, Hip Hop

  Source: www.guernicamag.com

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• The hip-hop that I really connected with was Public Enemy, KRS-One, Ice Cube, and N.W.A. That late '80s and early '90s era. The beginning of gangster rap and the beginning of politically conscious rap. I had a very immature, adolescent feeling of, "Wow, I can really connect with these people through the stories they're telling in this music."

  Jess Row

  Rap, Ice, People

  Source: www.guernicamag.com

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• Hip-hop is mostly what I listen to, other than jazz. I've given up on pop music and indie rock.

  Jess Row

  Rocks, Indie Rock, Hip Hop

  Source: www.guernicamag.com

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• You think about every piece of idiomatic speech adopted by white men over the past ten or twenty years; virtually all of it comes from hip-hop.

  Jess Row

  Past, Men, Thinking

  Source: www.guernicamag.com

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• I agree that all kids of all colors love hip-hop. My point in writing the book was to raise questions about the ways the hip-hop generation and the millennium generation, both who have lived their entire lives in post-segregation America, are processing race in radically different ways than any generation of Americans. I think they have a lot to tell us as a country about ways of addressing race matters.

  Bakari Kitwana

  Country, Book, Kids

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• The question 'Why white kids love hip-hop?' forces us immediately to deal with the historical weight of race in America. On the surface people see hip-hop and race as nothing new. I think the ways young white Americans are engaging hip-hop suggest something more.

  Bakari Kitwana

  Kids, Thinking, Race

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• I agree that a lot of mainstream corporate sold hip-hop is self-hating.

  Bakari Kitwana

  Hate, Self, Hip Hop

  Interview with Kam Williams, aalbc.com. August 15, 2005.

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• After many years of hip-hop as a nation we should have the sophistication to accept that their are distinctions between the corporate manifestation of hip-hop, sold as a commodity and package with sensational race, sex and violent imagery, and the hip-hop culture that kids are living everyday at a local level, which often doesn't dabble in that terrain.

  Bakari Kitwana

  Sex, Kids, Race

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• Locally lived hip-hop culture that is giving many of America's youth the tool they need to survive and thrive in America, in the face of public policy that have written too many young people off.

  Bakari Kitwana

  America, People, Giving

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• We need to look beyond the obvious. Yes, there are minstrel images in hip-hop. Yes, there are demeaning, anti-racist, misogynistic and homophobic representations. We could make the same case about the church and our government. But hip-hop, like society, isn't one dimensional.

  Bakari Kitwana

  Government, Hip Hop, Church

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• Few places in American culture have made as effective a case for entrepreneurship than hip-hop. Hip-hop tells young people that our society is offering very limited options for youth. And that while society points to a radical decline in living wage jobs for youth and meaningful and affordable education, hip-hop is offering an alternative legitimate economy that is giving youth hope.

  Bakari Kitwana

  Meaningful, Jobs, Offering

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• We live in a society that refuses to set a standard for what we will allow American entertainment to expose to our children. I think we need to set a standard that is entertainment industry wide, not just limited to hip-hop.

  Bakari Kitwana

  Children, Thinking, Hip Hop

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• Hip-hop is contributing to American society's misogyny and racism, hyper-sexuality anti-Black representations. Hip-Hop isn't setting the standard for misogyny. No one reduces the presidency to misogyny, although we've had misogynistic presidents. No one reduces our government to being solely homophobic, although we have a government with a don't ask, don't tell policy for gays and lesbians in the military.

  Bakari Kitwana

  Military, Gay, Government

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• I'm not a poster boy for misogyny and I don't think hip-hop should be either.

  Bakari Kitwana

  Boys, Thinking, Hip Hop

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• Hip-Hop's cultural movement is much larger than the corporate representation. The images most of hip-hop's critics point to are those manufactured by major corporations whether on television, via Viacom, or on the radio, via Radio One and Clear Channel.

  Bakari Kitwana

  Hip Hop, Movement, Television

  Interview with Kam Williams, aalbc.com. August 15, 2005.

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• Unfortunately there is a standard set for it that precedes hip-hop. It would be great if corporate America didn't do this, but there is a huge market for sex and violence and anti-Black representations in America and the world that doesn't begin or end with hip-hop.

  Bakari Kitwana

  Sex, Standards Set, America

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• Legions of young hip-hop fans are as against this as hip-hop's most fierce critics. There is a huge underground movement within hip-hop circles that against these representation. You can hear this message on tons of lyrics and rap songs produced by independent emcees. But they are fighting against a well-oiled and well-financed machine.

  Bakari Kitwana

  Song, Rap, Independent

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• And just as you can find hip-hop lyrics beating up on all these groups, including young Black men themselves, the primary producers of the music, you can also find lyrics celebrating them.

  Bakari Kitwana

  Men, Hip Hop, Black

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• Hip-hop is a complex music and culture that has been reduced to a one-dimensional critique. Hip-hop's messages aren't all bad. Neither are they all good.

  Bakari Kitwana

  Hip Hop, Culture, Messages

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• I am trying to get folks outside the hip-hop culture to understand why, despite the negatives, young people find hope and refuge in hip-hop. I'm hoping that young people immersed in the culture will work harder to capitalize on the possibilities for great social change that hip-hop represents as a national unified cultural youth movement.

  Bakari Kitwana

  Hard Work, People, Hip Hop

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• My hope is to get young people to think about ways that they can translate hip-hop's great cultural movement into political power that can change the conditions for America's young, so that young people upon graduating from high school who don't have economic means to go to college can realize other options beyond joining the military and fighting in wars that enrich corporations like Halliburton which should feel guilty about profiteering off of a war that is being fought on the backs of those locked out of America's mainstream economy.

  Bakari Kitwana

  Military, War, School

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• I think hip-hop is actually one of the most challenging things that's happened in music in a long time. The people who are in charge of what people see or hear are afraid. What you hear on top 40 or what you see on BET or MTV is not a fair representation of what is really going on...

  Mos Def

  Thinking, Mtv, Long

  "David Bowie & Mos Def: The Style Council (2003 Cover Story)". Interview with Ben White, www.complex.com. January 11, 2016.

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• I think hip-hop is actually one of the most challenging things that's happened in music in a long time.

  David Bowie

  Thinking, Long, Hip Hop

  Source: ca.complex.com

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• You don't see Los Angeles erecting a museum dedicated to the birth place of the Crips and the Bloods and the Mexican Mafia, with a special guided bus tour highlighting the rise of the crack trade, yet you can hop on a bus in Chicago tomorrow to see the famous locales of murders. I have to imagine there's some wonderful academic book on the sociology of this out there.

  Tod Goldberg

  Book, Museums, Blood

  Source: therumpus.net

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