I love to read things that have moral messages, and I love to hear stories where it's not just a hook, you have to follow the story, you have to listen to the message of the song, and get it and use it in your everyday life.
Playing inside the changes means playing enough of the important notes of the chord progression at important times. A good solo might be very free, but every once in a while it loops or hooks into an essential note that describes the harmonic change.
That's your doing. Now in order to affect that doing I am going to recommend that you learn another doing... It may hook you to another doing and then you may realize that both doings are lies, unreal, and that to hinge yourself to either one is a waste of time, because the only thing that is real is the being in you that is going to die. To arrive at that being is the note-doing of the self
If you are able to settle, you'll be getting off rather easy. Debt settlement companies can sometimes get you off the hook for a large percentage of your debt - in many cases, up to 50% will be written off.
On one hand we encourage and allow major pharmaceutical companies to openly hook vast sectors of our population on narcotics, and then we cut them off and throw them in jail, and moralize about it. It is clearly a huge, huge, and growing problem. It's devastating. We need to treat it as a health crisis, which it is, and stop moralizing.
I've got my girl records that are real feel-good and could be a radio crossover. But it's not me going in that direction, and being like, "We need this huge pop crossover record where we need this girl on the hook."
Letting yourself off the hook takes the stress away.
I feel like when I'm writing for other people, when I'm doing rap hooks, it's kinda like playing dress up for me...
In terms of melody, I am really into great 90's melodies. I feel like there was a great focus on melody in the 90's, like 90's pop-hooks and 90's R&B hooks; I just love them.
I always have to start with a character that I can really hook into, and then build from there. I have writer friends who start from a world, an object or some kind of concept that they then hone and widdle into a story. But, for me, it has to be a character that I can really sink my teeth into and live with, for months and months.
I'm drawn to a lot of first-time directors. One of the great common denominators in these small independent films is that there's a person, or two people, who have an absolutely monomaniacal passion to get these films made. That's what makes them happen. Sometimes, it takes years and years to finally get it done, but by never backing down, by never giving up, they get these films to the screen by hook or by crook.
I've got a good right hook.
I love actors. I enjoy their company, and I get excited each and every time they bring a character I've written to life. Every so often a talented actor doesn't hook in correctly to a character; or someone gets lost in a labyrinth of over-complicated thoughts, and the character and play suffer. However, most of the time I find actors either end up doing exactly what was in my head, or sometimes do something even better.
I am a feminist. I'm trying to show the relationships between men and women, always the structural relations, not individual villains. I'd never make a husband a villain. I try very hard in my work not to - because if I made one man a villain, the rest would be off the hook. I'm interested in the system of oppression.
I'd worked on a series of Chicken Soup for the Teenage Soul books called The Real Deal for HCI books, which featured essays and poems from teens.Finding the right authors for the series has been no easy feat, mostly because I'm looking for a perfect blend of a teen girl with an interesting story or hook, fantastic writing talent, and the confidence to commit to writing a 30,000+ word book in a matter of months. It's a huge commitment and I recognize that, so the fit has to be there from all these different angles.
To solve the drug problem, we have to start at the root - first grade. If a boy has all the toys in his head that reading can give him, and you hook him into science fiction, then you've got the future secured.
Lyrics have got to be simple and catchy. A hook is more important than an overall concept or story.
I'm a dude who likes to create music with good feeling. I live like a chameleon through music. It all depends on what the beat tells me to do; that's why you're always gonna get passionate hooks, because I'm feeling the beats and the emotion behind the drums and melodies.
I hear melodies and hooks all day. I've always been that way, since I was a kid.
Writing is like this -- you dredge for the poem's meaning the way police dredge for a body. They think it is down there under the black water, they work the grappling hooks back and forth.
Get the big point of your advertisement into your headline. Use your headline as a hook to reach out and catch the special group of people you are trying to interest.
This book is the best treatment of the best American Marxist philosopher-and the best philosopher to emerge from American slums. Young Sidney Hook is essential reading for anyone interested in democratic theory and practice in America.
One of the things that I'm dying to do is to sing the hook on a big rap song. No one's ever called me to do that.
And yet--it is not beauty that inspires the deepest passion. Beauty without grace is the hook without the bait. Beauty, without expression, tires.
He who steals a hook shall be hanged; while he who steals the state shall be crowned as prince.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: