In companies whose wealth is intellectual capital, networks, rather than hierarchies, are the right organizational design.
One of my first observations about New York that I was so fascinated with was that you'd be at a stoplight and you're with everybody; there's a homeless dude and some weird celebrity and a cop and someone who looks exactly like you. You're on foot and everyone is at street level and eye-to-eye. I think that's what's special about New York, because there's no hierarchy, there's no discrimination.
We became Homo sapiens not that long ago, from the scientific perspective, and we've retained a lot of our beast nature. We've done all these amazing things in terms of our knowledge base and technology, and now we're flying around and using the internet. But we're still very animalistic. So, I think about hierarchies. I think about evolution. I think about how we stack up, how we sit on top of each other. How we pray that we know what we're up to.
Nigerian nun Bernadette Duru says the African church hierarchy is indifferent to people in rural areas.
GenXers naturally bristle at hierarchies, but thrive on partnerships.
The bureaucratic culture that we [Afghanistan] have inherited is an obstacle. Hierarchies may be extremely efficient for dealing with certain events, but they are not quick in responding to global, flexible networks.
The world is not flat, and PCs are not, in the hierarchy of human needs, in the first five rungs.
In terms of the class structure that you see so much in European portraiture, I don't think one feels that in America in the 21st century. But we have these other kinds of social structures now, like celebrity, who establish new hierarchies.
The mystic must be steadily told,-All that you say is just as true without the tedious use of that symbol as with it. Let us have a little algebra, instead of this trite rhetoric,-universal signs, instead of these village symbols,-and we shall both be gainers. The history of hierarchies seems to show that all religious error consisted in making the symbol too stark and solid, and was at last nothing but an excess of the organ of language.
At the start of the eighties, Tony and I [Tony Wakefield was one of the original members of DIJ] were involved in radical left politics and beneath it history students. In search of a political view for the future we came across National Bolshevism which is closely connected with the SA hierarchy. People like Gregor Strasser and Ernst Röhm who were later known as 'second revolutionaries' attracted our attention.
An atom is a hierarchy of different states of information that define the statistical likelihood of finding a particle here or there at the time of observation.
A food waste reduction hierarchy-feeding people first, then animals, then recycling, then composting-serves to show how productive use can be made of much of the excess food that is currently contributing to leachate and methane formation in landfills.
The reason we must put on the whole armor of God is to withstand evil. We don't war against people, but against a spiritual hierarchy of invisible power.
Productive work is the central purpose of a rational man's life, the central value that integrates and determines the hierarchy of all his other values. Reason is the source, the precondition of his productive work, pride is the result.
The ability to laugh at life is right at the top, with love and communication, in the hierarchy of our needs. Humour has much to do with pain; it exaggerates the anxieties and absurdities we feel, so that we gain distance and through laughter, relief.
Different schools of Zen have evolved, principally the Rinzai and Soto orders. A whole hierarchy has developed for the teaching and practice of Zen. Zen has become, to a certain degree, institutionalized.
Some of the technologies that were created during the Industrial Revolution were appalling, such as capitalization, investment, social hierarchy, sexism, racism, and ecological destruction.
I would put all the efforts to humanize the "masculine" and "feminine" gender roles that are the beginning of a false human hierarchy and normalize race, class and other systems of domination to come.
In my work, it's simultaneously realities, instead of parallel. Simultaneous avoids the problem of alternate reality. In parallel reality, there's always a hierarchy, and there doesn't necessarily have to be a hierarchy. When you're in a palace like Blenheim, you're supposed to be in awe - why not be in awe of something different than the stuff they're showing you? It's about finding your own existential place.
Every force field is simultaneously a field of information because even physics now acknowledges that an atom is not only a hierarchy of different states of energy, or different states of force fields.
Some religions believe that there's a hierarchy, that you don't have a connection, but you must go through the shaman or the priest or whoever the religious leader is. And that's what surprises me, that some people who find a huge value in these kinds of systems also seem to enjoy ILLUSIONS. I can't figure it out.
The entire hierarchy of angels can best be described as an endlessly vast sphere of beings, who surround an unknowable centre-point, which is called God.
The society of Christendom and especially of Western Christendom up to the explosion, which we call the Reformation, had been a society of owners: a Proprietarial Society. It was one in which there remained strong bonds between one class and another, and in which there was a hierarchy of superior and inferior, but not, in the main, a distinction between a restricted body of possessors and a main body of destitute at the mercy of the possessors, such as our society has become.
I think what really separates artists from the rest of the world is that artists feel like they have permission to keep exploring and expressing their process. Most people censor that because they don't think it's good enough. Everything is measured against this patriarchal hierarchy of value, as if one person's singing voice is more important than another's.
The feat of superbly imitating a muscle, as Michelangelo did, or a face, as Raphael did, created neither progress nor a hierarchy in art. Because these artists of the sixteenth century imitated human forms, they were not superior to the artists of the high periods of Egyptian, Chaldean, Indochinese, Roman, and Gothic art who interpreted and stylized form but did not imitate it.
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