I'm definitely one of those people who feels that they were born in the wrong era. I don't know if that's nostalgia. I have a hard time relating to most current things. It's funny because I get associated with nostalgia a lot, but I don't hang out being like, "Man, if it were 1986... If only...!"
I'm not a very social person. I'm interested in music and I'm obviously tight with my family - my daughter. I'm not at the club hanging out at night. I'm at home making records.
I like working in television a lot. It's nice to have a place to go every day and a group of people to hang out with and work alongside with a common goal. But I think I'll always love stand-up more, because there's so much to discover. But you cannot beat television money with a stick. Not with a stick.
Delhi is a very maligned city, and deservedly so. Yet there's something about it. It's a secret city, it doesn't hang out its wares. It's like a very deep river. Floating right up on top are the institutions of contemporary power: government, politics, media, and then there's the bureaucracy, the diplomatic missions. But it's also the city of intellectual debate, of protest, it's the city where people from all over the country converge to express their anger. And then, underneath all that, there's this crumbling, ancient city, a confluence of so much history.
As far as the MMOs go, especially with the voice chat, it becomes like hanging out with your friends in a chat channel, and you're playing at the same time. So it becomes a lot more social than people would probably think.
I'm culturally Jewish but, like most scientists, an atheist: I don't believe there's a God or supernatural world. Buddhism offers guidance on what to do in a world without God: It opines that truly being present in the world‚ experiencing and hanging out with your loved ones, provides all the significance you could want.
You have to have a good script. You have to have compelling and complicated characters that you want to hang out with. Also, since you're going to be living with your crew and cast, I think it's really critical to create a great working environment, because we're spending so many days, so many hours together.
I read a lot. I spend of lot time thinking. It actually looks like I'm doing nothing, but... hanging out with clever and interesting people is a must if you're writing comedy, like hanging out with a good bass player when you're a drummer.
I'm always tempted in the back of my mind to continue to write things in the Star Trek universe, in the novels or the comics, just because I don't get to play in that universe and I don't get to hang out with those characters any more. You spend hours upon hours of your life, day after day sitting in writers' rooms, talking about these people and these situations, and it becomes very real to you. They're friends of yours, in a lot of ways.
My grandmother and I followed my mother here, to a house a block north of Hollywood Boulevard but a million miles away from Hollywood, if you know what I mean. We would hang out behind the ropes and look at the movie stars arriving at the premieres.
I'll be friends with anyone as long as they're not an asshole. But with my fans, they all try and add me on Facebook. And I won't have it, because that's personal. When I'm doing shows, I'm not shy to hang out with my fans. I'll finish and be out there within ten minutes talking to people. But when people start invading my space, it freaks me out a little bit.
When I was a young boy, I preferred cats to dogs. From the age of seven or eight onwards I just felt more comfortable with cats. And I felt more comfortable with girls, I didn't really like hanging out with guys. When I was about ten or eleven, I was friendlier with the girls in my school than with the guys.
I was home educated but would skip my lessons to go hang out at school.
When you get busy, the priorities change. In your twenties, you hang out with who you were in school with. Then you grow up and you hang out with the people you're playing ball with, things you like doing with. When you get married, it changes a bit and you lose some friends, or you gain other friends. You gain couple-y friends. It changes again when you have children, and then when your children are the focus of your life.
Anybody that I like that you talk to about me will probably agree that when I'm hanging out with someone one-on-one, I have a tendency to build this attitude toward the world outside of us, it's us and them. I'm with you here, and you're with me, and we are in the club and everybody else out there is in that shitty club. The positive is I make people feel really special, and I also make some people really uncomfortable and judged, and I'm working on that.
I know a lot of girls in the comedy world who are kind of like me. I don't know where the slutty girls hang out, but it's not the comedy world as far as I know.
La Haine - first of all, it was the story of friendship. I was very close with Mathieu Kassovitz; he was somebody I met in the nights of Paris. And the hip-hop scene and all that... You know, it was very much about doing our own thing, and some of the subject matter was so close to what we knew and the people we were hanging out with.
The year before was my first collection for Emilio Pucci, and I was just starting the job and working in his Renaissance Palazzo, where Pucci is headquartered, so that inspired me. I found this image in the book. It was an old image of Emilio Pucci hanging out by the seaside with all of these women, and that's exactly how I used to think about this house - more of a lifestyle thing. This beautiful life. So I'm really working on that.
I feel like I have to go back to Paris every so often. It just grows on you - the look of the city, the way people hang out there. If you're in Europe, it's good for that.
It's the only thing to do when you're in London - hang out in a taxi.
As an actor, I don't know what I'm doing. I've never known what I was doing. I show up the first day, I'm scared, and I just hang out. It's like being in detention - you just wait for it to be over. Then gradually I start to figure out what's going on.
What I'm trying to do is paint a picture of an atypical human being going through all of the existential struggles, but all the while realizing the carnality and small things, because I like minutiae a lot. All the while knowing that it's a forest - knowing that none of it means anything. I think if more people understood that, they would just go ahead and kill themselves like they're gonna do anyway, but do it quickly as opposed to hanging out and using up resources. Don't just sit around criticizing other people and wasting time. I do that, but I'm not really skilled in any other way.
If I even tell anything false, within one minute I have to come clean. And I think most people, even if they're not that direct, it comes out in indirect ways. If somebody cheats on you, they end up telling you they've been spending all this time hanging out with that person. Why? Because nobody can bear a lie. A lie won't stay silent. It makes noise.
One of our favorite Joe Strummer quotes was, "No input, no output." Meaning, we're going to hear a band, we're going to go to a museum, or we're going to go hang out with some writer that we admire. We're going to get some input, because if we don't, then we have nothing. It's a circle. It's a respiratory thing.
My best artist friend is definitely Jason Aldean. He and I really get along great and are really great friends. It's fun to tour with a buddy and somebody that I just enjoy hanging out with. If we weren't touring together, we'd be hunting in the off-season still and knocking around doing stuff, certainly.
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