Eric Clapton is my dream guitarist.
Ben was more improvisational, and relied less on methodology, and basically is a guitarist who switched to bass, whereas Jeff has a more traditional approach to playing bass in a band, and has a great sense of what his band sounds like, and we lock up nicely.
I was training to be a lawyer... I was president of the law society at Glasgow University, and my bass guitarist was my secretary of my law society; the lead guitarist and writer worked at the law firm that I worked.
I'm not a really good classical guitarist by any means, but what I learned from this is a way of working very slowly on solo pieces and I enjoyed working on these pieces of John's. They were not written for solo guitar but a lot of them were easy to adapt.
In jazz, you listen to what the bass player is doing and what the drummer is doing, what the pianist and the guitarist is doing, and then you play something that compliments that, so you are thinking simultaneously and thinking ahead.
I never considered myself a songwriter, but now since I've been working with Nick Lowe, I am contributing to an extent. But I'm the guitarist and he's not, so we compliment each other in a way.
Michael Sunday and I are the original members of the band. We first did it just for charities and benefit concerts. It was very ad-hoc, and before we knew it, we were really a band. We went through several drummers and guitarists before we were happy with the line up.
I love Gibsons, and Nationals, too. There's something magical about them.
While listening, to things like western swing, for instance, I'd work something out in my head, then play it on my National; not the same song, but one that captured the feeling of the original tune.
I guess, and it may be a flaw, that I think about rhythm more [than anything else]. I'm always wanting to find something unusual. I've started to try and write more traditionally, but for whatever reason, I tend toward trying to find something that sounds more like a pattern to me.
What made me want to play guitar was that painting of Wings in concert in the gatefold of Wings Over America. It looked so exciting... I wanted to be part of it.
Looping isn't an effect: it's your playing, only more of it and, if you hang with it, it'll uncover previously hidden facets from the body of your music. Remember: the original source of any loop is whatever your sound is, at the moment of input.
Never having thought of writing for the guitar, I asked Julian Bream for a chart which would explain what the guitar could do. I managed to write some rather pretty pieces for him, except that the first six notes of the first piece all need to be played on open strings. So when he begins to play the audience will probably think he's tuning the bloody thing up!
Take but degree away, untune that string, and hark, what discord follows!
Electric guitars are an abomination, whoever heard of an electric violin? An electric cello? Or for that matter an electric singer?
My guitar, I sing of thee 'Tis with thee that I decoy And ensnare enchantingly the ladies I enjoy.
Pick up my guitar and play, just like yesterday / And I get on my knees and pray.
There's just no stopping those girls with guitars.
But you make me sing like a guitar humming . . .
He could play the guitar just like ringing a bell.
My guitars, Cadillacs, and hillbilly music Is the only thing that keeps me hanging on.
I want a thousand guitars . . .
I'll be forever grateful to this instrument for being the surfboard that I rode the wave of life on
That old funny-shaped bit of wood is still staring me in the face every day saying 'come on, you haven't started yet!' It's infinite.
I just want to be able to play as fast as my brain goes, and my brain doesn't go all that fast.
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