My routines come out of total unhappiness. My audiences are my group therapy.
I was in group therapy for years but it wasn't the same thing. It was more about growing.
To the best of my knowledge, every acute inpatient ward offers some inpatient group therapy experience. Indeed, the evidence supporting the efficacy of group therapy, and the prevailing sentiment of the mental health profession, are sufficiently strong that it would be difficult to defend the adequacy of the inpatient unit that attempted to operate without a small group program.
I remember a group therapy session when one of the patients was reluctantly turning his corner. He would accept it, he said, but he wouldn't like the idea of having to solve problems every day for the rest of his life. My co-therapist told him that it was not required that he like it. She shared her own displeasure, saying: 'I remember that when I first discovered what life was like, I was furious. I guess I'm still kind of mad sometimes.' (135)
For instance, in group therapy, I'll have people stand up, show off, give a speech about themselves as though they've just died and have to give a eulogy. Even with this explicit permission - even an order - to say something nice about themselves, this is the hardest thing in the world for people to do. They'd rather take their clothes off.
I sing my life. It's like I'm having group therapy 350 days a year, and the people who come to the show get that, and they're there for that - whether it's to be lifted up, or to be lifted out, or just entertained or inspired, or to feel not so alone.
Once in a while our school has half days, and the teachers spend the afternoon 'in service,' which I think must be a group therapy for having to deal with us.
Oh God, modern life with all its feelings. ... We live in the most callous society ever, and all anybody talks about nowadays is getting in touch with their feelings. ... The world has become one enormous group therapy session. It's a terrible bore. My motto is, 'Thank you for not sharing!
I'm very happy. I like my work and I like the various aspects of it - going around the world, teaching the gospel according to St. Albert - I like that. And seeing clients, doing group therapy, writing books.
In New York and LA, there is sort of that silent competition to be on the cutting edge of something.
We have signed with Artemis Records. Originally they were our distributor for 'Group Therapy'. My former manager (Chip Quigley) started a record label (Recon Records) and had Artemis Records as their distributor. Unfortunately, the way the label was run meant that it didn't turn out the way that we thought it was going to be. We simply got into something that was different to what we initially thought
The irony is that I don't think we took a step backwards to make 'Group Therapy'. I think we took a step forward because it's a lot more complicated to make that kind of album. I think that album was far more produced than 'American Apathy', and it had a lot more harmony vocals and lots of intricate parts musically speaking.
In New York and L.A., there is sort of that silent competition to be on the cutting edge of something. You end up having a conversation with how the world receives your work, especially if you are writing narrative, not fiction. Sometimes it is an awkward conversation. It's like group therapy.
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