Good writing is supposed to evoke sensation in the reader - not the fact that it is raining, but the feeling of being rained upon.
Everybody walks past a thousand story ideas every day. The good writers are the ones who see five or six of them. Most people don't see any.
Your manuscript is both good and original; but the part that is good is not original, and the part that is original is not good.
All good writing is swimming under water and holding your breath.
Writing is the flip side of sex - it's good only when it's over.
The worst enemy to creativity is self-doubt.
Tomorrow may be hell, but today was a good writing day, and on the good writing days nothing else matters.
Read, read, read. Read everything -- trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You'll absorb it. Then write. If it's good, you'll find out. If it's not, throw it out of the window.
A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author.
The road to hell is paved with good intentions.
To produce a mighty book, you must choose a mighty theme.
Almost all good writing begins with terrible first efforts. You need to start somewhere.
And by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.
There is no Idea Dump, no Story Central, no Island of the Buried Bestsellers; good stories seem to come quite literally from nowhere, sailing at you right out of the empty sky.
Get it down. Take chances. It may be bad, but that's the only way you can do anything really good.
Immature poets imitate; mature poets steal.
The good writing of any age has always been the product of someone's neurosis.
All good books are alike in that they are truer than if they had really happened and after you are finished reading one you will feel that all that happened to you and afterwards it all belongs to you: the good and the bad, the ecstasy, the remorse and sorrow, the people and the places and how the weather was. If you can get so that you can give that to people, then you are a writer.
The test of any good fiction is that you should care something for the characters; the good to succeed, the bad to fail. The trouble with most fiction is that you want them all to land in hell, together, as quickly as possible.
Everywhere I go, I'm asked if I think the universities stifle writers. My opinion is that they don't stifle enough of them. There's many a best seller that could have been prevented by a good teacher.
If you have other things in your life-family, friends, good productive day work-these can interact with your writing and the sum will be all the richer.
If you read good books, when you write, good books will come out of you.
What I like in a good author is not what he says but what he whispers.
Writing is easy. All you have to do is cross out the wrong words.
Words - so innocent and powerless as they are, as standing in a dictionary, how potent for good and evil they become in the hands of one who knows how to combine them.
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