I'm just looking to make good movies and looking to be as good as I can be in them and that's about it. But I feel much more comfortable doing a comedy, but the fact that I got to try a few dramas, I feel I've tested myself a little bit.
Whatever I do, I like making good movies because I like to watch good movies. As long as I can do that, I'm happy.
It's really hard to find good movies, and that's pretty much what I try to find, good movies.
People say my films are dark. But like lightness, darkness stems from a reflection of the world. The thing is, I get these ideas that I truly fall in love with. And a good movie idea is often like a girl you're in love with, but you know she's not the kind of girl you bring home to your parents, because they sometimes hold some dark and troubling things.
A good movie is three good scenes and no bad scenes.
My problem is I'm like a junkie. I want a good movie fix, and I never get that fix.
Any good movie is filled with secrets.
Any good movie or script usually, if they're doing their job, gives the highest platform possible for an actor to leap off of, and that script was very high up there. It was a very smart, tight script. There was a lot of improv, as well, once we got to the set, but a lot of the original script was also in there.
I love hanging out with friends and family, going to the beach or just being a couch potato and binge watching TV shows or watching a good movie.
A good movie is a movie that you could see over and over again, not a movie that wins a Oscar, or a movie that makes a lot of money. It's a movie that you personally can watch over and over again. That, to me, is a measure of a good movie.
Here's what I had: I had the arrogance of saying I'd like to be in a 'good' movie, so in fact, when I was hot, I turned down a lot of stuff because I didn't think I wanted to watch it.
Whereas there are lots of good novels out there; there are a few good movies out there. People have been writing great poems for years, but there aren't a lot of good comics. I like trying to write them.
I don't hold with the notion that only bad books make good movies.
I wanna do movies that in ten years time people will respect me for, as an actor. So if I do take two years off or three years off, the next movie I have that comes out you want people to go 'ooh, that's Frankie Muniz's new movie, it's gonna be a good movie cause he's in it.
I want to be in a good movie, and so the narrative is way more important.
I just want to make good movies. Honestly, the only difference for me with this stuff is that there is more people on the set.
A scary movie puts a lot of people, a mob, in one place. There are advantages to that because the panic runs through the audience. If it's a good movie, the fear jumps from one person to the next. You can find yourself screaming just because everybody around you is screaming. There's a real atmosphere of terror. It's also visual, which means that you can't look away from this thing - it's happening. You're in the dark. It's like a nightmare. It's like a dream. It's very, very visual. It works on all those levels.
I'd like to make a great movie. I've made many movies. I think I've made some good movies, but I never felt I've made a great movie.
If you have your movies so that everyone understands everything, I think that's probably not a very good movie.
I consider myself more of a film fan than a filmmaker, or I guess it's kind of a balance, fortunately. But I really want to see good movies as much as I want to make good movies and I want to see bizarre movies as much as I want to make bizarre movies.
Anybody who knows how to make a good movie, knows that it's a collaborative undertaking. To deny that its really dangerous.
I can go back to my very first movie, Thirteen, and think about that exact moment when I saw Nikki Reed and Evan Rachel Wood do their chemistry read audition together. It just came alive. I was filming it with a video camera and I was like, "I know I can make a good movie now."
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