Gonzo journalism is a style of reporting based on William Faulkner's idea that the best fiction is far more true than any kind of journalism.
There is nothing in the world more helpless and irresponsible and depraved than a man in the depths of an ether binge.
Most people who deal in words don't have much faith in them and I am no exception.
I shared a vagrant optimism that some of us were making real progress, that we had taken an honest road, and that the best of us would inevitably make it over the top. At the same time, I felt that the life we were leading was a lost cause, that we were all actor, kidding ourselves on a senseless odyssey. It was the tension between those two poles - a restless idealism on one hand and a sense of impending doom on the other - that kept me going.
Seems like the light at the end of the tunnel may be you.
We cannot expect people to have respect for law and order until we teach respect to those we have entrusted to enforce those laws.
Just sick enough to be totally confident
Gonzo . . . acidic hilarity . . . 'The Fun Parts' has fine moments, but it's not the whole Lipsyte story. Read it with 'The Ask' if you really want to know how a mordant jokester with a madman's imagination became a literary rock star.
I'm doing an introduction for one of Ralph's [Steadman] books. He's doing something called Gonzo, the Art I think he's stealing from me. I like Steadman and his coattail abilities. Ralph is better at business than I am. He has always managed to get free whiskey.
Joe Klein is the flower of American political journalism, a sharp raconteur who shows traces of the gonzo style that was in vogue when he was honing his craft at Rolling Stone back in the day.
You don't know me, dude," he says, not smiling this time. Gonzo examines his cards, prepping for his next move. "People always think that they know other people, but they don't. Not really. I mean, maybe they know things about them, like they won't eat doughnuts or they like action movies or whatever. But they don't know what their friends do in their rooms alone at night or what happened to them when they were kids or if they feel ****ed up for no reason at all.
Gonzo leaps like a giraffe and grabs it.
I guess the biggest difference from the things I've done in the past is that my work will be more narrative-driven adult films or vignettes, not just "gonzo" scenes, which are straight sex, no storyline.
Gonzo narrows his eyes. 'How often do you clean that thing?' 'Every night,' the waitress answers. Her smile is strained. 'That's it? Do you know how long it takes for Listeria to grow under those hot lamps, even with ice?' Here we go. 'It can happen in just five hours. Five hours and you've got the salad bar of death!' The waitress looks confused. 'From Listerine?
Dammit!" "What?" Gonzo sounds panicked. "We're out of gas." "You're Shithenging me." "I Shithenge you not.
Anyone that is able to put a high school film and gonzo journalism together, it's like, "Yes, please!"
Yesterday's weirdness is tomorrow's reason why.
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