A lot of people don't think they can count on me, but I've never missed a gig in my life.
Each gig should be unique. You're always treading that line between keeping yourself fresh and giving people something they want to hear
Life is not a series of gig lamps symmetrically arranged; life is a luminous halo, a semi-transparent envelope surrounding us from the beginning of consciousness to the end.
I had a great time on News Radio, I got to make tons of money in relative obscurity and learn a lot about the TV biz and work on my standup act constantly. It was a dream gig.
Placebo is music for outsiders, by outsiders and our gigs are like conventions of outcasts, which is cool.
I learned so much about playing and touring being on the road and in the studio with Jeff, but I'd always played a lot of gigs in Seattle even prior to joining the Fusion.
I came into this whole business by going to see Rock Against Racism gigs with the Clash.
Some gigs will go great. I figure you do a gig, and as many as can get there will get there.
One way and another I was having a ball - playing gigs, jamming and listening to fine musicians. Then came a crisis at home. My stepfather fell sick, and it meant I had to support the family.
In Japan, you get on the bullet train or the airplane, and I loved the little speeches the stewardesses would do. They even do little speeches before you play gigs.
I decided I'd never do a series again, but I was offered a pilot for a series through Eddy Murphy Productions, and that was the gig that got me Parker Lewis.
For a long time, my shows were about people walking out or about getting my gigs canceled or having the presenter not wanting to pay me.
I have a hard time waking up. No alarm clock works! It sounds childish, but I seriously have my manager, my mom or a buddy of mine wake me up if I have to be somewhere. It's a serious issue! I've been very late for some serious gigs because of it!
Basically, I live to do gigs.
If I ever do anything, it actually might be some fantasy elf thing or even some cute, funny thing. Just to do something a little bit out of the ordinary. I've done my superhero gig.
For The Truman Show, I worked for a few weeks, do my gig, then I was done.
I was just thrilled to get the gig to begin with. Ten years later to still have it is not only thrilling but also somewhat of a puzzlement.
I try to keep performing as much as possible - I just like to. I used to take huge gaps off between gigs, now I just like to do stand-up gigs as much as I can.
I do some concerts. At the moment, I'm being helped a lot by a gig I play in London, which is Pizza Express.
I remember one of the first gigs I played with that amp was at a local church. They wanted someone to fill in with the guitar and my friend say, 'Ah, he can play.' And so I dragged the amplifier down and started playing and everybody started yelling 'turn it down!'
Sometimes there are no gigs, but the main thing is the music. You can't take that away. The only person who can take that away from you is you.
The more you write tunes, the better they will become. The more you do gigs, the better you will become.
Music is a gut thing. You're working in a medium which is more in touch with the primal than the modern. A gig is a ritual. There's a congregation.
I feel like my music is just an extension of my acting. I treat the songs like scenes that tell a story... it's very similar.
I knew going in that being a single parent would be one of the toughest jobs I'd ever have. I'd been a talk-show host, actor, comic, and on and on, but this gig was going to be my defining moment.
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