I'm not sure I believe in the whole 'ghost-afterlife' thing, but I think places are marked by people who have been there.
I don't write under the ghost of Faulkner. I live in the same town and find his life and work inspiring, but that's it. I have a motorcycle and tool along the country lanes. I travel at my own speed.
There was something about the Cleveland Play House that was the holiest place - you know, with the ghost light on the stage and the brick. It was just the most beautiful theater in the world.
I don't think I believe in ghosts, per se. But, my nearest experience was when I went on a weekend away and was in a bar in England, years ago, with an ex-girlfriend. I heard this scratching. I was about to go to bed and I was thinking, 'It's an old ghost.' I could hear this noise, but I couldn't work out where it was coming from.
In literature, the ghost is almost always a metaphor for the weight of the past. I don't believe in them in the traditional sense.
Don't see the point in reading ghost-written autobiographies, even though some of these published lives may fascinate me. The 'ghost' is always present, manipulating an interview into first-person singular text, and it feels like I'm reading a lie.
People like to think that actors are terribly worried about ghosts of other actors in the parts they play. But you just have to get on with it.
After I watched 'The Exorcist' I refused to watch any other movie that had anything to do with ghosts or demons. I didn't even watch 'Ghostbusters' until I was much older.
I don't necessarily not believe in ghosts, but I've never seen a ghost. A ghost has never jumped out and been like, 'Hey, how's it going?
Ghost stories always creep me out and weird me out. Those are always interesting to watch.
I've never turned into a bee - I've never been chased by a mummy or met a ghost. But many of the ideas in my books are suggested by real life.
I can see my ghost trying to get that Academy Award, forever stuck in a casting office. Can you imagine? I've spent enough time in audition rooms. I don't want to be doing that in my afterlife.
I wish ghosts were real!
I believe in spirits, not ghosts.
I will take it all: tongs, molten lead, prongs, garrotes, all that burns, all that tears, I want to truly suffer. Better one hundred bites, better the whip, vitriol, than this suffering in the head, this ghost of suffering which grazes and caresses and never hurts enough.
In the main, ghosts are said to be forlorn and generally miserable, if not downright depressed. The jolly ghost is rare.
Does one ever see any ghost that is not oneself?
A carnival in daylight is an unfinished beast, anyway. Rain makes it a ghost. The wheezing music from the empty, motionless rides in a soggy, rained-out afternoon midway always hit my chest with a sweet ache. The colored dance of lights in the seeping air flashed the puddles in the sawdust with an oily glamour.
When we usually think of fears, in comics or in films, it's most often fears on a relatively superficial level: fear of murderous insects, of ghosts, of zombies, or even fear of dying.
Any work that is not rooted in myth and poetry or that does not partake of the depth and essence of the universe is merely a ghost.
There is probably a smell of roasted chestnuts and other good comfortable things all the time, for we are telling Winter Stories - Ghost Stories, or more shame for us - round the Christmas fire; and we have never stirred, except to draw a little nearer to it.
Changing from the ghosts of faith to the spectres of reason is just changing cells.
Night comes, world-jewelled, . . . The stars rush forth in myriads as to wage War with the lines of Darkness; and the moon, Pale ghost of Night, comes haunting the cold earth After the sun's red sea-death--quietless.
There is a ghost That eats hankerchiefs; It keeps you company On all your travels.
My mother would say it is literally ghost writers who come to me.
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