We don't experience light, color, and gesture in a vacuum. We experience it in contexts.
Gesture is not always action.
The bed of flowers Loosens amain, The beauteous snowdrops Droop o'er the plain. The crocus opens Its glowing bud, Like emeralds others, Others, like blood. With saucy gesture Primroses flare, And roguish violets, Hidden with care; And whatsoever There stirs and strives, The Spring's contented, If works and thrives.
Books leave gestures in the body; a certain way of moving, of turning, a certain closing of the eyes, a way of leaving, hesitations. Books leave certain sounds, a certain pacing; mostly they leave the elusive, which is all the story. They leave much more than the words.
If our planet has seen some eighty billion people it is difficult to suppose hat every individual has had his or her own repertory of gestures. Arithmetically, it is simply impossible. Without the slightest doubt, there are far fewer gestures in the world than there are individuals. That finding leads us to a shocking conclusion: a gesture is more individual than an individual. We could put it in the form of an aphorism: many people, few gestures.
True religion is a universal and (necessarily) ego-transcending psycho-physical motivation of human beings. However, up to the present stage in human history, only relatively few individuals in any generation have been willing and able to make the gesture that is true religion (or, otherwise, true esotericism). In their great numbers, most people have, up to now, never yet been ready or willing to adapt to the true (and progressive) practical, moral, devotional, Spiritual, and Transcendental Wisdom-culture of right life.
Do not accept the roles that society foists on you. Re-create yourself by forging a new identity, one that commands attention and never bores the audience. Be the master of your own image rather than letting others define if for you. Incorporate dramatic devices into your public gestures and actions – your power will be enhanced and your character will seem larger than life.
Be an active participant in your community and country. Every small gesture makes up the big gestures. Resist, rinse, repeat.
Hence it is from the representation of things spoken by means of posture and gesture that the whole of the art of dance has been elaborated.
We can be dry as dust, distracted and insensible to God's presence. Still we can pray...and if we make even the smallest gesture of availability he will be there.
Art as a political gesture is committed to making something beautiful, and then understanding what beauty is in your own time, because what we think of as beauty changes with time. The notion of beauty everywhere changes.
In the midst of global crises such as pollution, wars and famine, kindness may be too easily dismissed as a 'soft' issue, or a luxury to be addressed after the urgent problems are solved. But kindness is the greatest need in all those areas - kindness toward the environment, toward other nations, toward the needs of people who are suffering. Until we reflect basic kindness in everything we do, our political gestures will be fleeting and fragile.
But a few understand that building is a great symbol we live in our minds, and existence is the attempt to bring that life into physical reality, to state it in gesture and form. For the man who understands this, a house he owns is a statement of his life.
I returned to the white House after midnight more depressed than ever before. I had long since arranged to attend the World Series in Philadelphia the next day. Although I like baseball, I kept this engagement only because I felt that my presence at a sporting event might be a gesture of reassurance to a country suffering from a severe attack of 'jitters.'
Poems come from ordinary experiences and objects, I think. Out of memory - a dress I lent my daughter on her way back to college; a newspaper photograph of war; a breast self-exam; the tooth fairy; Calvinist parents who beat up their children; a gesture of love; seeing oneself naked over age 50 in a set of bright hotel bathroom mirrors.
The spirit listens only when the speaker speaks in gestures. And gestures do not mean signs or body movements, but acts of true abandon, acts of largesse, of humor. As a gesture to the spirit, warriors bring out the best of themselves and silently offer it to the abstract.
Speech is not a means in the service of an external end. It contains its own rule of usage, ethics, and view of the world, as a gesture sometimes bears the whole truth about a man.
Every single aspect of a text requires very careful choices and rigorous evaluation. Style is employed - or deployed - for a reason. It's purposeful. Form and aesthetics are part of meaning-making. Ideally, a writer would have mastery over a wide variety of rhetorical gestures and tonalities, our lexicon and punctuation system, our grammar, and all the riches of a liberal and literary education.
Line dancing is as sinful as any other type of dancing, with its sexual gestures and touching. It is an incitement to lust.
Women are often belittled for trying to resurrect these men and bring them back to life and to love. They are in a world that would be even more alienated and violent if caring women did not do the work of teaching men who have lost touch with themselves how to love again. This labor of love is futile only when the men in question refuse to awaken, refuse growth. At this point it is a gesture of self-love for women to break their commitment and move on.
We have lost the art of public tenderness, these small gestures of wiping and washing; we have forgotten how abjectly the body welcomes a formal touch.
That's a gesture of endearment in some cultures. Some hug, some kiss, some set each other on fire in small patches of woodland
A sentence is like a tune. A memorable sentence gives its emotion a melodic shape. You want to hear it again, say it—in a way, to hum it to yourself. You desire, if only in the sound studio of your imagination, to repeat the physical experience of that sentence. That craving, emotional and intellectual but beginning in the body with a certain gesture of sound, is near the heart of poetry.
The script is a starting point, not a fixed highway. I must look through the camera to see if what I've written on the page is right or not. In the script, you describe imagined scenes, but it's all suspended in mid-air. Often, an actor viewed against a wall or a landscape, or seen through a window, is much more eloquent than the lines you've given him. So then you take out the lines. This happens often to me and I end up saying what I want with a movement or a gesture.
Sometimes a slow gradual approach does more good than a large gesture.
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