I went to college in North Carolina, and that's how I learned how to play music. I learned how to play guitar when I was 12, and I was always in bands, but the first time I ever started writing my own music was being surrounded by a lot of songwriter friends in North Carolina.
I tried to take a few community college classes, but it got in the way of music, so I stopped. I had real life college and traveling on the road college. It's like a segue into adulthood, like living on your own for the first time.
If you're up there performing a song for the first time, it's as if you're hearing it through their ears. You become acutely self-conscious of the song in performance, so that's a good thing before recording. But I like to have some surprises for the audience; I don't want the audience to know everything that's going to be on the record, because these days, with the Internet, people become avid collectors of pre-knowledge.
Every single human being is creative and maximizing that creativity is critical to happiness and economic growth. Economic growth is driven by creativity, so if we want to increase it, we have to tap into the creativity of everyone. That's what makes me optimistic. For the first time in human history, the basic logic of our economy dictates that further economic development requires the further development and use of human creative capabilities. The great challenge of our time is to find ways to tap into every human's creativity.
The first time I took my daughters to the ocean - and I love the ocean but where we swim is very rough, very New England, rip tide, not messing around ocean - and a thought arrived: I was asking my daughters to slowly recognize death, just dip their toes in its fathomless edge, to know it is there, even in the night when we don't see it and that it, in its mystery and largeness, in its terror, is the thing that makes life precious, magnificent and full of never-ending curiosity.
This was the first time we had two ex-Soviet Cosmonauts in Houston. A lot of us, including me, viewed it with some skepticism, because I grew up during the Cold War, so I had been hit with all this propaganda all along that their stuff wasn't that good, it wasn't that safe and we were so much better. What I found out later was that their space stuff was very good and good enough that I was certainly comfortable flying on their equipment. So, it was kind of a revelation of sorts as the years went by and I think it underscores the importance right now of international cooperation.
The first time I cut all my hair off was when I was 19. I just got fed up going to the salon every week. I'd had enough! On a whim, it was off. It's low-maintenance.
The first book was out and for the first time we were on a book tour. Being the son of an immigrant, I'd never dreamt of being on book tours. Suddenly the attention was huge.
I know that Madonna is not a first-time filmmaker, but I have worked with a lot of first time filmmakers and I have worked with a lot of inexperienced film directors so that never has particularly worried me - I find it quite exciting - but I have never worked with a director who has had so little experience of directing who was so prepared.
Tom Hart, David Lasky, Ed Brubaker, Megan Kelso, Julie Doucet. These people lived comics. The people in Seattle got together every week to draw and critique each other's work. Outside of art school, I never did that. When I came back from that trip, I had a physical, palpable sense of being self-conscious. It was the first time I'd drawn where I was like, "Holy cow, people are going to read this. They're going to like it, or they might not like it. Maybe I really should make my drawings a little more solid, or really think about what I'm doing. Maybe this shouldn't be so sloppy."
I try and create for the audience something that relates to real-life experience. When you're meeting somebody for the first time, all you have to go on are your preconceptions and your stereotypes and whatever else, but gradually as you get to know them, they change. They become more three-dimensional, and you start to see them in layers.
I'm interested in cinematic realism. I think there is a rich potential to bring to audiences people they haven't seen before, that they are discovering a bit like how we discover people in life for the first time. There's an authenticity that can't be denied.
I think I was six when I discovered the song "White Wedding" by Billy Idol, and that was the first time I thought I had discovered something on my own. It's the first song I remember hearing and liking without anyone telling me to like it.
It was like the first time I'd ever seen Hollywood just really not do the right thing. We filmed Free Willy in Mexico. I'd come in a really nice car from my hotel, and we'd have to drive around all the crew that was sleeping in the parking lot. People making their breakfast on the ground. It was because there was a whale there that was in a little tank. It just felt gross. It felt really bad. They didn't free that whale for, damn... at least 10 years later. The poor whale had horrible psoriasis all over him, and his fin didn't work.
I want to show you how Stephen Miller is just good, folks. He's simply good. He needs to be doing more of these. The first time he went public as a spokesman for Donald Trump was on This Week with George Stephanopoulos. Stephen Miller was unflappable. He didn't lose his temper. He smiled. It appeared that Miller knew he was talking with somebody who didn't know what he was talking about and remained composed and polite.
I do think you fall in love when you feel that something of your story is being listened to for the first time, or you feel someone else is hearing it as no one else has ever done.
Of course, I came up around music and fame, but this is still my first time experiencing it all. I'm still going through it like anybody else goes through it. But I'm still doing something I've never done before.
I wish I could go back and re-write my first novel for the first time. Because I really didn't know what I was doing, and although it was published, it is, after all this time, kind of an embarrassment.
I do think the smaller-scale studio works have that incredible love of data crunching, whereas I would say the large-scale earthworks tend to be much more stripped-down. With the mappings, as connected as they are to a much more analytical idea, what's a map? And can I make a map about time? I think the first time was Hurricane Sandy, the flood plane; a moment in time, but indelibly marked on any of us who were in the city. Mapping time is something that I'm really interested in.
My first job was singing at the Hammersmith Odeon. It was years ago, so I can't remember who I was performing with. I was a sort of anti-climax after two hours of heavy rock-'n'-roll. Seventeen years old in a white dress. It was the first time that I got applause. Wonderful, that noise in my ears.
When I moved to New York a year and a half ago, I feel like I really was able to access my sense of humor and personality through my work for maybe the first time. The city has a really nurturing, positive kind of reinforcement...for young artists. Nothing is considered weird. Nothing is frowned upon. It's sort of a free-for-all in terms of experimentation, and I think that's a really great environment for someone who wants to work in a multimedia modality.
It's really surreal when I play shows, I'll have three or four people who are in the front row who are singing every word to my songs. The first time I experienced that I was like,"Are they mocking me? Is this a joke?" But it's not a joke. They actually identify with my music and that is something that I'm getting used to.
I don't make a habit of watching my parents' films, because it is a little strange. But I will say that I binge watch House of Cards compulsively, and I think it's the first time I've ever seen one of my mom's projects and totally forgot she was my mom! She's honestly that good, and, also, her character is the exact opposite of who she is in real life.
We have a deportation force. It's called Immigrations and Customs Enforcement. And the union for Immigrations and Customs Enforcement for the first time in their history endorsed Donald Trump to be the next president of the United States of America.
I would tell you that for me the sanctity of life proceeds out of the belief that ancient principle that - where God says before you were formed in the womb, I knew you, and so for my first time in public life, I sought to stand with great compassion for the sanctity of life.
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