Jerry Bruckheimer really is an executive producer, who obviously is the most successful producer in the history of film and television.
For film and television, it's interesting how fans feel that their particular ways of manifesting their affections are the correct ones. It's not just about being a fan, it's about how you perform your fandom. That's always been interesting to me.
Theatre, film and television are all modes of storytelling, and many of us are fortunate enough to move freely among them without feeling that we've 'left' or need to 'go back' to one or the other. In fact, if the theatre is to avoid a brain drain, this kind of fluidity is increasingly necessary.
I'd love to do just straight theatre. I'd love to do film and television, too.
The Australian film industry is a small industry, so you have to really be flexible within working in different mediums. A lot of actors work in theater, film, and television, because there's not much opportunity in terms of employment there.
The theater is a tough place. It's not cushioned the way it is in film and television.
It's very hard to become an actor in film and television, you have to have such perseverance and you have to really believe that if you have any sort of talent at all, you will find work one day.
There is something so great about film and television where you can convey an emotion in the blink of an eye which you would perhaps not be able to do to the back row of a theatre, like over 1000 seats, and there is something so subtle and beautiful about that too.
There wasn't even a movie theater in the town. Nothing. Not even any fast food chains of any kind. Regardless, I knew that I was going to leave and become an actor, and be in film and television, and I've done it.
I really wanted to work in the American industry because it's the leading industry. It's where film and television started.
I think there are certain technical things about acting that change between working in film and television. Everything definitely slows down and we have more time in film.
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