Drawing from art history and mythology allows me to connect with viewers in a familiar, yet loose visual framework. Blending disparate histories and themes can give the overall presentation a recognizable, yet unique flavor.
In America, there is no racial segregation. I'm not sure I'm quite familiar with this phrase.
I'm always interested in something when it isn't familiar to me.
There's a kind of edge to what you're doing, the kind of leading edge of what you're doing. Inside that edge [are elements you] are familiar with, and are probably becoming slightly bored with, as well, over a period of time. "I've pulled that one out before. Oh, no, I can't I'm just fed up with that. Let's do something else."And you always think "Oh my God I've never done anything at all like that before." But, of course, in retrospect, and to an outsider, they'll say, "Oh, yeah that's typical Eno.
I think rhythm is, when you talk about rhythmic sensibility, quite perceptive in that I like to have at least one thing that is at least common or familiar to the audience.
I can tell that in Refuge the question that was burning in me was, how do we find refuge in change? Everything around me that was familiar had been turned inside out with my mother's diagnosis of ovarian cancer and with the Bear River Migratory Bird Refuge being flooded.
Having lived in Utah all of my life, I can tell that in many ways I know of no place more lonely, no place more unfamiliar. When I talk about how it is both a blessing and a burden to have those kinds of roots, it can be terribly isolating, because when you are so familiar, you know the shadow.
Now, as Mandelbrot points out, ... Nature has played a joke on the mathematicians. The 19th-century mathematicians may not have been lacking in imagination, but Nature was not. The same pathological structures that the mathematicians invented to break loose from 19th-century naturalism turn out to be inherent in familiar objects all around us.
Life itself today has lost its plane reality: it is projected, not along the old fixed points, but along the dynamic coordinates of Einstein, of revolution. In this new projection, the best-known formulas and objects become displaced, fantastic, familiar-unfamiliar. This is why it is so logical for literature today to be drawn to the fantastic plot, or to an amalgam of reality and fantasy.
I'm not really all that familiar with comic book culture. Not because I'm such a high brow intellectual and bloody European. But it's just something that I was never into. Not because of any superiority. I don't know why.
We're all really happy with what's familiar. But what's inevitable in life is change. That's what life is.
People have a hard time letting go of their suffering. Out of a fear of the unknown, they prefer suffering that is familiar. Thich Nhat Hanh If you gathered up all the fearful thoughts that exist in the mind of the average person, looked at them objectively, and tried to decide just how much good they provided that person, you would see that not some but all fearful thoughts are useless. They do no good. Zero. They interfere with dreams, hopes, desire and progress.
The senses at first let in particular Ideas, and furnish the yet empty Cabinet: And the Mind by degrees growing familiar with some of them, they are lodged in the Memory, and Names got to them.
The public is more familiar with bad design than good design. It is, in effect, conditioned to prefer bad design, because that is what it lives with. The new becomes threatening, the old reassuring.
Do not choose for your friends and familiar acquaintance those that are of an estate or quality too much above yours...You will hereby accustom yourselves to live after their rate in clothes, in habit, and in expenses, whereby you will learn a fashion and rank of life above your degree and estate, which will in the end be your undoing.
Generosity, when once set going, knows not how to stop; as the more familiar we are with the lovely form, the more enamored we become of her charms.
The stabbing horror of life is not contained in calamities and disasters, because these things wake one up and one gets very familiar and intimate with them and finally they become tame again. No, it is more like being in a hotel room in Hoboken let us say, and just enough money in one's pocket for another meal.
I began to write fiction on the assumption that the true enemies of the novel were plot, character, setting and theme, and having once abandoned these familiar ways of thinking about fiction, totality of vision or structure was really all that remained.
By prolonged and continued fellowship, the sheep who follow nearby enjoy the shepherd's presence and become his familiar companions. To those closest to him, he shares the choicest portions of the food he's gathered. These happy and content sheep are never in danger. Why? Because they are near the shepherd!
Of all the offspring of Time, Error is the most ancient, and is so old and familiar an acquaintance, that Truth, when discovered, comes upon most of us like an intruder, and meets the intruder's welcome.
A good story feels both surprising and inevitable, fresh and familiar.
Though the familiar use of things about us take off our wonder, yet it cures not our ignorance.
People aren't familiar with wheelchair sports. The only film crew in Athens for the Paralympics was the documentary crew.
The essence of boredom is to be found in the obsessive search for novelty. Satisfaction lies in mindful repetition, the discovery of endless richness in subtle variations on familiar themes.
The question is not, could Utah compete week in and week out in the ACC, SEC, Big Ten, whatever, .. The question is, in a one- game setting, can Utah compete, can Utah get the market share, sell the tickets of one of those more familiar institutions. Nobody knows that answer.
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