Pseudo-critics prefer to direct their remarks to the artist - Heaven forgive them - but one due rather to a common impression that such an attitude is the correct one, that all paintings should be figuratively mutilated, and that all artists are fair game, or really grateful perhaps for a few tips.
I can't say that there's a common practice that has to do with pitch language or with the way pieces are put together because today, anything is fair game. As far as I'm concerned, my own common practice is a piece that engages the attention of listeners from beginning to end, and doesn't rely on or expect the listener to zone out.
Everything Bill Clinton has done is fair game. He's a former president. I just don't think that is the most effective way to beat Hillary Clinton, because while all that was going on there were a lot of women who felt for whatever reason great sympathy for Hillary Clinton. Look, if my husband were doing that, I would have left him. I would not have behaved the way Hillary Clinton did.
By changing the way I experienced things, even just involving different details than in reality, I often felt I was betraying the past and playing an unfair game with the reader where he (of course) would ask himself "Did this really happen?"
I don't mind people trying to pick apart my policies, and that's fine and that's fair game. But, you know, I don't think we're serving our nation well by allowing the discourse to become so uncivil that people use words that they shouldn't be using.
If she kept wondering about how much of her life Bran engineered, she’d end up on a funny farm knitting caps for ducks.
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