If you go in in the morning and have had a rough night, dunking your face in ice water is really good.
There are makeup artists sometimes that have a jade face roller. If you're really tired those are really good.
You can see it in people's faces, when they're into a metal band. It's cool to see that being passed on.
It's very rare that people are exactly who they appear to be. Venice has a lot of that too, but the face of it is quite beautiful, interesting, and textured.
Our film [Hide and seek ]was created as part of the Asian American Film Lab's 11th 72 Hour Film Shootout filmmaking competition, where filmmaking teams have just 72 hours to conceive, write, shoot, edit and submit a film based on a common theme. The winners were announced during the 38th Asian American International Film Festival in New York last July. The theme for 2015 was 'Two Faces' and was part of a larger more general theme of 'Beauty'.
We grew up as this family of deniers. And people who knew us for years were stunned when "The Great Santini" came out because we had this appearance of being this happy, large, smiling family. We were taught to smile, put the best face forward. And so when the book ended up - Dad swatting us around the room, no one believed me.
I hope, by being honest about what happened to me, to help nourish a culture of honesty that might make something different - and better - possible. We really need to squarely face the issue of child abuse in America, and to look at our perversity, our illness.
We all have a responsibility, and as Rabbi Heschel, one of my prophets, has put it: "Those who condone, or are silent, in the face of injustice, are more guilty than the perpetrators." And so, to the degree we pretend to be a democracy, we have a corresponding duty to be activist enough to prevent our human rights form being infringed upon.
I think you can be politically incorrect, but there's some responsibility with that. You've got to make sure that you are not condoning or bolstering any racial or other stereotypes. You've got to be free to make jokes, but just make sure...you don't want to go and black face somewhere to just prove a point. If it's insulting and offensive just for the sake of it that's problematic.
Let's face it, we're all clones nowadays. We've all got the same archives, we've all got the same Hyundai, we've all got the same Mac or PC components, and we're all being told the same news stories globally.
You run the risk of falling on your face, but, again, music is an individual pursuit - it is made to please yourself first.
I'm a big fan of things in writing in general that are subtle, that suggest something without actually in-your-face saying it.
I'm very encouraged. This is progress. There are two or three ways to combat homophobia - one is through humor. The second is to put a face on it. People are becoming much more enlightened.
I couldn't imagine someone playing me or writing a book about who I am. Although I let people write articles and try and express who I am, and it blows up wildly in my face.
The idea behind it did come out of my love for travel shows. I loved them as a little kid and I loved Anthony Bourdain, but I really did want to see one about LGBTQ communities and culture and the specific country that we visit. Of course it is about the joys and the triumphs and the nightlife, but sadly, unfortunately, it's also about the discrimination that people face, because that's the reality.
I think the name came [of the show 'Gaycation'] out of the fact that a lot of people just don't know - they don't know what so many people face around the world or even in their own country, where there's a variety of experience, and despite the incredible progress we've seen, that progress hasn't necessarily reached everyone. I wanted to kind of have this title to have you be open to the experience, and then you enter it and you do see the realities.
If you are a LGBTQ person, if you're going to travel somewhere, you do need to be mindful of where you're going, particularly depending on the country. That's just something unfortunately you need to think about. It's something you need to think about if you're a woman, it's something to think about particularly if you're a trans woman, and the problems a lot of trans people face when they're travelling.
I feel so lucky to have the opportunity to make the show, and that it is in alignment with what I'm interested in, with what I read about. For me, it just felt like an organic step - of course, I'm thinking I want a show that allows for more representation for the community and shows the struggles people face, especially when we're hearing all this political rhetoric - to have a way to show how much this affects people lives.
I had an Indian face, but I never saw it as Indian, in part because in America the Indian was dead. The Indian had been killed in cowboy movies, or was playing bingo in Oklahoma. Also, in my middle-class Mexican family indio was a bad word, one my parents shy away from to this day. That's one of the reasons, of course, why I always insist, in my bratty way, on saying, Soy indio! - "I am an Indian!"
I think it's an important thing for a Mexican to say, especially now with the rebellion in Chiapas. Mexico has to confront her Indian face, and yet she refuses to do so. When you turn on Mexican television, it's like watching Swedish TV: everyone is blond.
The average age in the U.S. is now thirty-three, whereas Mexico gets younger and younger, retreats deeper and deeper into adolescence. Mexico is fifteen. Mexico is wearing a Hard Rock Cafe T-shirt and wandering around Tijuana looking for a job, for a date, for something to put on her face to take care of the acne.
I was approached by Avon which took me by surprise, cause I thought "why me?" I thought it would be Olga, but they wanted me to be the face of their fragrance and since filming Bond I have recorded an ad that looks great and obviously the stills. It's brilliant because I never thought I would get to do anything like that and it is a lovely opportunity.
I never get tired of looking at her [Catherine Keener] and it always surprises me, despite how many hours of film I've shot on that face. She's fantastic. She does comedy and tragedy so equally well. She wears her feeling so on the surface for both. I try to stop myself from casting her but I just keep coming back to her. She's just so fantastic to work with.
There was actually a camera on your face. I don't know so much about the animation process but the camera was in our face so it could get expressions from our faces that would eventually arrive on the gnomes. It almost felt like you were cheating at times because it was a wee bit too much fun. You were in that box on your own. Kelly [Asbury] was in Toronto, I was in LA, so I was just on my own. I thought: "I can't be getting paid for this as well!"
If you think about the last 50 years, Africa's proximity and historical context has absolutely been with Europe and the United States, but their approach in dealing with the economic challenges that Africa faces in particular has been one of handing out aid, not developing economies, not building a long term relationship around agriculture and so on.
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