The task of propaganda lies not in a scientific training of the individual, but rather in directing the masses toward certain facts, events, necessities, etc., the purpose being to move their importance into the masses' field of vision.
To be a teacher does not mean simply to affirm that such a thing is so, or to deliver a lecture, etc.
The most important misunderstanding seems to me to lie in a confusion between the human necessities which I consider part of human nature, and the human necessities as they appear as drives, needs, passions, etc., in any given historical period.
Children, as well as grown-ups, in their individual, glorified, drudgery-proof homes of Labrador, the tropics, the Orient, or where you will, to which they can pass with pleasure and expedition by means of ever-improving transportation, will be able to tune in their television and radio to the moving picture lecture of, let us say, President Lowell of Harvard; the professor of Mathematics of Oxford; of the doctor of Indian antiquities of Delhi, etc.
The activity affected by causes like fainting, sleep, excessive joy, grief, possession by spirits, fear etc goes to the heart, its own place.
Because by definition they lack any sense of mutuality or wholeness, our specializations subsist on conflict with one another. The rule is never to cooperate, but rather to follow one's own interest as far as possible. Checks and balances are all applied externally, by opposition, never by self-restraint. Labor, management, the military, the government, etc., never forbear until their excesses arouse enough opposition to force them to do so.
I became friends on a social basis with a music professor (Dr. Alan Stein) who took a real interest in my work. He encouraged me in countless different ways, urged me to try different arranging styles, etc.
I do have a website that's updated regularly. It's a great way for potential clients to check out my work anonymously. As most of my web visitors would be interested in my work, not my history, the equipment I use, my "philosophy", etc., it's my work that's predominantly featured on the site.
What people actually refer to as research is really just Googling. I already have a complicated relationship with research. It used to be going to the library and looking up archival photos, etc.
When I started acting in the film industry when I was 16 years old, in 1980, I was going to all the revival theaters in Los Angeles. They were playing mostly films from the '60s and '70s, some from the early '20s and '30s, before that Hays commission. Those films did question things a lot, and there definitely was a switch in 1934. You can see very distinctly in 1934, it's harder to understand what the real culture was. Films made before 1934, you can really kind of see the racism, sexism, drug use, etc. that was going on at that time. And then it was all stopped.
The US remains an object of fascination for me, and the subject of much study, but while many of my friends etc. are American and I have no plans at present to move elsewhere, I consider myself a permanent outsider.
I think all writing about art is in some way dancing to architecture. It's all about similitude, being analogous, metaphorical, adjectival, etc.
As a Beatle, my everyday life belonged to the public in one way or another. We were always appearing for the public in the early days, or we were planning for them, producing for them, interviewing for their sake, etc.
It is important and vital is to keep that education for critical consciousness around intersectionalities, so that people are able to not focus on one thing and blame one group, but be able to look holistically at the way intersectionality informs all of us: whiteness, gender, sexual preferences, etc. Only then can we have a realistic handle on the political and cultural world we live within.
There's no way in which you can ever win a war against terror. As long as there are conditions in many parts of the world that make people desperate: poverty, disease, ignorance, etc. I hope that we will discover soon, that we can survive, only together. We can prosper only together. And I think people are beginning to realize this, that you can't have pockets of prosperity in one part of the world and huge deserts of poverty and deprivation and think you can have a stable, secure world.
I'm not pro-war. But I think war has been the dominant condition of humankind, and peace has been the anomaly - certainly sustained periods of peace that profit great masses of people - and I think war has worked, even awful hellish wars: worked to staunch fascist aggression in Europe, worked to preserve the Union after secession in the United States, etc. Not always, maybe not often, but to say never is to reject history in favor of a wishful unreality.
I was spending too much time thinking about how I was doing, if I was learning everything I was supposed to be learning during this difficult season, whether I was doing it right or not, taking my spiritual pulse, etc - my inner lawyer was working overtime.
All of the things that the bible warns you of being: jealous, covetous, murderous, selfish, etc., that's kind of how humans are.
You never really know what the director has got in his mind as far as the scene visually and art direction wise, etc. Even if you do, sometimes there's a side of things that don't necessarily gel the way people intend. So there a bit of a mystical entity, film.
I don't believe, in the end, that there is any such thing as no style. Even a very neutral, plain style, one that doesn't use colloquialisms, lyrical flourishes, heavy supplies of metaphor, etc., is a style, and it becomes a writer's characteristic style just as much as a thicker, richer deployment of idiom and vocabulary.
The illusion that mechanical progress means human improvement ... alienates us from our own being and our own reality. It is precisely because we are convinced that our life, as such, is better if we have a better car, a better TV set, better toothpaste, etc., that we condemn and destroy our own reality and the reality of our natural resources. Technology was made for man, not man for technology. In losing touch with being and thus with God, we have fallen into a senseless idolatry of production and consumption for their own sakes.
It was with the Industrial Revolution, as society plunged ever more eagerly into the conquest of material riches and bent all its energies to the accumulation of goods, that material poverty became a major problem. Obviously, this meant abandonment or downgrading of spiritual values, virtue, etc. To share or not to share in the increase of the collective wealth-this was the Number One question. It was the desire to acquire wealth that prompted the poor to start fighting.
Rhythms, beats, etc., are fundamentally central to my creative drive: my first instrument was the drums, nearly every band I have been involved in or at the helm of, is driven by rhythm, my band is driven entirely by rhythm, machine rhythm, and the purpose of the rock instrumentation is literally to speak the beats, to emulate the rhythms with guitars and bass, with very little articulation, and without being 'progressive'.
Comedy is a funny thing, and it's really not like any other art form in that it's very specialized and varied in it's content, but generic in it's title. You would never go to a club just to see "Live music," you would go to a jazz club to see jazz, a blues club to see blues, etc. But when you go to see "standup comedy," if you don't know the performers material, you really don't have any idea what you're gonna get.
I always liked to be fairly simple because you could get more players ready to play quickly. If you lose players to free agency, injuries, etc., it is easier to get young players ready to play in a less complex system.
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